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Showing 1 to 9 of 9 for “"recital hall"”.

  1. A recital hall in Provincetown

    This is a design thesis. The project is a recital hall seating one hundred twelve people in Provincetown, Massachusetts. The most important issues in the design process were: 1) how to spiritually prepare the listeners and musicians for a performance; 2) what polysensory qualities must the space …

    mit Repository record for A recital hall in Provincetown (opens in a new tab)

  2. The making of Disgrace Kelly: Dragging the diva through cabarets, pubs and Into the recital hall

    … investigates the synthesis of cabaret and recital performance as a way to re-invigorate the recital as a performance platform. As a curious classical singer with a passion for cabaret, I have explored cabaret in my own creative practice as a classically trained opera singer through the …

    edithcowan Repository record for The making of Disgrace Kelly: Dragging the diva through cabarets, pubs and Into the recital hall (opens in a new tab)

  3. MUSIC OF THE BRITISH ISLES: AN EXPLORATION OF MUSIC WRITTEN FOR THE VIOLIN BY COMPOSERS FROM ENGLAND, IRELAND, AND SCOTLAND DURING THE ROMANTIC ERA

    … of this written document as well as three recitals which were performed on December 13, 2021, in Smith Recital Hall, October 24, 2022, in Gildenhorn Recital Hall, and December 12, 2022, in Gildenhorn Recital Hall at the University of Maryland. The recordings of the recitals can be accessed …

    maryland Repository record for MUSIC OF THE BRITISH ISLES: AN EXPLORATION OF MUSIC WRITTEN FOR THE VIOLIN BY COMPOSERS FROM ENGLAND, IRELAND, AND SCOTLAND DURING THE ROMANTIC ERA (opens in a new tab)

  4. Voices of the Cello: Speak, Sing, Play; An Aesthetic Examination of Style Periods in the Cello Repertoire and How They Relate to the Viability of Transcription

    … was produced in conjunction with three cello recitals as part of a Performance Dissertation Project. Each recital focuses on music from style periods ranging from the Baroque to the twenty-first century and seeks to demonstrate how the aesthetic language of a composer or style period affects …

    maryland Repository record for Voices of the Cello: Speak, Sing, Play; An Aesthetic Examination of Style Periods in the Cello Repertoire and How They Relate to the Viability of Transcription (opens in a new tab)

  5. Pairings: Quintets and Duos from the Collaborative Piano Repertoire

    … This dissertation project consisted of three recitals, presented in the Gildenhorn Recital Hall at the Clarice Smith Performing Arts Center of the University of Maryland. The recitals featured works by Johannes Brahms, Robert Schumann and Dmitri Shostakovich and took place on March 14, 2014, …

    maryland Repository record for Pairings: Quintets and Duos from the Collaborative Piano Repertoire (opens in a new tab)

  6. THE INFLUENCE OF JAZZ AND ITS PREDECESSORS ON PIANO CHAMBER MUSIC AFTER 1920

    … interplay between the two traditions. Three recitals were prepared and presented respectively on April 6, 2023, November 14, 2023, and March 24, 2025, at Gildenhorn Recital Hall of the University of Maryland. The first recital featured works influenced by blues and third stream. The program …

    maryland Repository record for THE INFLUENCE OF JAZZ AND ITS PREDECESSORS ON PIANO CHAMBER MUSIC AFTER 1920 (opens in a new tab)

  7. VIRTUOSIC ELEMENTS IN THE COLLABORATIVE PIANIST’S REPERTOIRE: SELECTED SOLO, VOCAL, AND CHAMBER WORKS OF RACHMANINOFF AND RAVEL

    … explores some of the technical and musical challenges that face pianists in a collaborative role—specifically, those challenges that may be considered virtuosic in nature. The material was chosen from the works of Rachmaninoff and Ravel because of the technically and musically demanding yet …

    maryland Repository record for VIRTUOSIC ELEMENTS IN THE COLLABORATIVE PIANIST’S REPERTOIRE: SELECTED SOLO, VOCAL, AND CHAMBER WORKS OF RACHMANINOFF AND RAVEL (opens in a new tab)

  8. A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe

    Unaccompanied works provide a great challenge for violinists. The violin was originally designed to be performed with the support of other instruments. In addition, composers have developed various advanced techniques to enrich their solo violin compositions, for example to create polyphonic …

    maryland Repository record for A Survey of the Unaccompanied Violin Repertoire, Centering on Works by J. S. Bach and Eugene Ysaÿe (opens in a new tab)