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Showing 1 to 8 of 8 for “"playscript"”.

  1. A director's approach to Donald Margulies's Collected Stories.

    … two details and analyzes the structure of the playscript. Chapter three examines the design elements of the production from the audience configuration through the individual design areas. Chapter four discusses the rehearsals and assesses the performances of the play in light of the goals of …

    baylor Repository record for A director's approach to Donald Margulies's Collected Stories. (opens in a new tab)

  2. 'Hidden stitches, silent chords : a play in monologues' and 'Exegesis : a stitching from the inside out (including an audio CD featuring my original song, None Can Name)

    … exegesis, Stitching from the Inside Out. The playscript was written in acknowledgement of my grandmothers and is inspired by my only tangible connection with them, their needlework. Hidden Stitches, Silent Chords is aimed at addressing, in some measure, the silences around their lives and …

    vu-aus Repository record for 'Hidden stitches, silent chords : a play in monologues' and 'Exegesis : a stitching from the inside out (including an audio CD featuring my original song, None Can Name) (opens in a new tab)

  3. Loving care for a person with dementia: from phenomenological findings to lifeworld theatre.

    … principles were used to develop a theatrical playscript about the experiences of family carers of persons with dementia; 3) the playscript was produced before an audience of healthcare professionals including physicians and medical students, informal carers and community members. The emotional …

    bournemouth Repository record for Loving care for a person with dementia: from phenomenological findings to lifeworld theatre. (opens in a new tab)

  4. Representing Childhood: The Social, Historical, and Theatrical Significance of the Child on Stage

    … dramatic representations of those childhoods in playscripts of the time. At each of the moments highlighted, childhood, and the forces that work to shape it, exist at a moment of crisis. These moments are characterized by the convergence of a variety of narratives of childhood ranging from the …

    ohiolink Repository record for Representing Childhood: The Social, Historical, and Theatrical Significance of the Child on Stage (opens in a new tab)

  5. My hall. A stage play and My Hall: Excavating, shaping and sharing the memory of Hale School’s Memorial Hall through a site-specific, staged performance. An exegesis

    … thesis consists of an original, research-based playscript, together with exegetical writing which outlines the significance of creating this work at the current time and in the chosen place. It provides new insights into methods of excavation used to reveal memory contained within a …

    edithcowan Repository record for My hall. A stage play and My Hall: Excavating, shaping and sharing the memory of Hale School’s Memorial Hall through a site-specific, staged performance. An exegesis (opens in a new tab)

  6. The playwright and his theatre : Howard Brenton, David Hare and Snoo Wilson

    … the post-1968 Fringe, is it possible to consider playscripts as literary works,expressing the views of individual writers?The emphasis within the early Fringe was on collectively organized workshops and group creativity, and on the exploration of non-verbal expressionon stage, something which had …

    hull Repository record for The playwright and his theatre : Howard Brenton, David Hare and Snoo Wilson (opens in a new tab)

  7. Chase the feeling: making meaning in an autistic theatre company

    … analysis is presented in the form of exegesis, playscript and performance. The performance of the script took place on August 28, 2015 at the Bakehouse Theatre, Adelaide. The performance itself is sixty minutes in duration and rehearsals were conducted over two months with the cast, which …

    adelaide Repository record for Chase the feeling: making meaning in an autistic theatre company (opens in a new tab)

  8. The humanization of Falstaff: audience experience and response in <i>Henry IV</i>

    … a Shakespearean drama which is text as well as playscript. It is less a total reading of <em>Henry IV</em> than an interpretation of Falstaff’s progress through it, particularly when that progress is interwoven—as it so frequently is—with Prince Hal’s own movement toward kingship. I have limited …

    binghamton Repository record for The humanization of Falstaff: audience experience and response in <i>Henry IV</i> (opens in a new tab)