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Showing 1 to 7 of 7 for “"piano trio"”.

  1. Shadow of dew drops for piano trio

    Shadow of Dew Drops for violin, violoncello and piano was inspired by a poetry of the Song Dynasty (960-1279) "Xiao Chi - A little Pond" written by the famous poet Yang Wanli (1127-1206). This poetry depicts: the silent mouth of a spring "cherishes" the little streamlet and lets it flow quietly …

    umkc Repository record for Shadow of dew drops for piano trio (opens in a new tab)

  2. Analytical Insights of Personal Compositions for Jazz Piano Trio

    """La Tela de Arana"" based on 2-3 and 3-2 forms of the clave pattern which also utilizes traditional latin-jazz elements."

    uiuc Repository record for Analytical Insights of Personal Compositions for Jazz Piano Trio (opens in a new tab)

  3. A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances

    … two very different versions of Johannes Brahms' Piano Trio in B major, Op. 8 – the first version of 1854 and the revised version of 1889 (or Op. 8a and Op. 8b, respectively) – by establishing a biographical and compositional relationship with Schumann's Piano Trio in D minor, Op. 63 (1847), with …

    city-london Repository record for A comparative and contextual study of Schumann's piano trio in D minor, Op. 63 and Brahms' piano trio in B major, Op. 8 (1854 version): from musical aesthetics to modern performances (opens in a new tab)

  4. A comparison of passacaglias in piano trios by Ravel and Shostakovich from a historical and theoretical perspective

    … perspective of the passacaglia from the Piano Trio in E Minor, Op. 67, written by Dmitri Shostakovich (1906-1975), and the passacaglia from the Piano Trio in A Minor, written by Maurice Ravel (1875-1937).Before the history and theory discussion of these two movements begins, a background …

    ballstate-thes Repository record for A comparison of passacaglias in piano trios by Ravel and Shostakovich from a historical and theoretical perspective (opens in a new tab)

  5. VIRTUOSIC ELEMENTS IN THE COLLABORATIVE PIANIST’S REPERTOIRE: SELECTED SOLO, VOCAL, AND CHAMBER WORKS OF RACHMANINOFF AND RAVEL

    … and musically demanding yet idiomatic piano writing. This virtuosic piano writing also extends into the collaborative repertoire. The pieces were also chosen to demonstrate these virtuosic elements in a wide variety of settings. Solo piano pieces were chosen to provide a point of …

    maryland Repository record for VIRTUOSIC ELEMENTS IN THE COLLABORATIVE PIANIST’S REPERTOIRE: SELECTED SOLO, VOCAL, AND CHAMBER WORKS OF RACHMANINOFF AND RAVEL (opens in a new tab)

  6. Doctoral thesis recital (Piano)

    Trio for piano, violin and violoncello, KV 496 / Wolfgang Amadeus Mozart -- Trio for piano, violin and violoncello in D minor, op.49 / Felix Mendelssohn-Bartholdy.

    texas Repository record for Doctoral thesis recital (Piano) (opens in a new tab)

  7. Zack Browning and the compositional process in blockhouse, double shot, and sole injection

    … violin: Blockhouse (2006) for violin, cello, and piano (Chapter Two); Double Shot (2000) for violin and piano (Chapter Three); and Sole Injection (1996) for violin and computer- generated sounds (Chapter Four). Each of these chapters is divided into three parts. The first part presents background …

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