Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 14 of 14 for “"piano and orchestra"”.
-
Concerto for piano and orchestra
Thesis (Ph. D.)--Michigan State University. Dept. of Composition, 1995
-
Ernst Mahle: A Pedagogical Edition of His Four Concertinos for Piano and Orchestra
… since 1951. Mahle is the artistic director and co-founder of the “Escola de Musica de Piracicaba,” one of the most important musical institutions in Brazil. His work has focused on conducting, composition, and elementary music education. The main focus of this research will be to examine …
-
Manuel M. Ponce: A critical study of his Concierto Romántico for piano and orchestra.
The Concierto Romántico for Piano and Orchestra is one of Manuel M. Ponce's outstanding compositional accomplishments from his Romantic period, reflecting both the state of Mexican music at the turn of the 20th century, and his early nationalist tendencies. However, it remains the only concerto in …
-
"Music In Women's Artistic Gymnastics--floor Exercise (with Original Composition) ""gather"": Concertino For Piano And Orchestra"
Made available in DSpace on 2014-12-14T06:20:56Z (GMT). No. of bitstreams: 1 7915388.pdf: 9493246 bytes, checksum: 940de5a609f6411d9826b7968bc95036 (MD5) Previous issue date: 1979
-
Philip Glass's Tirol Concerto for piano and orchestra (2000): a compositional analysis of the Second Movement
… adopted a richer, more complex musical language, and distanced himself from the minimalist label. Academic scholarship on the composer's more recent compositions is severely limited, with the result that he is often still viewed as a minimalist. This dissertation's focus is on a more recent work …
-
A stylistic and analytical study of Concerto No.2 for Piano and Orchestra, Op.33, by Lee Hoiby
Lee Hoiby’s Concerto No. 2 for Piano and Orchestra, Op. 33, completed in 1980, is a welcome addition to the piano concerto repertory. The concerto was first performed June 6, 1980, in Chicago by Lee Hoiby with the American Chamber Symphony conducted by Robert Frisbie. This concerto contains the …
-
The Trio Sonatas of J. S. Humphries. (Parts I and Ii). Duo Concertante for Violin, Piano and Orchestra. (Original Composition)
Made available in DSpace on 2014-12-09T19:39:55Z (GMT). No. of bitstreams: 1 6607819.pdf: 13984328 bytes, checksum: 99413c9894bf412e110104a2a0ba5e16 (MD5) Previous issue date: 1966
-
Alexander Johnson's Ni' Concerto (1994) - Concerto no. 1 for Piano and Orchestra: a Discussion of Influences from Africa, Eastern and Western Europe
… of artists emerging in South Africa, Alexander Johnson is considered the most prolific young composer of his day. In a recent review in the Pretoria News, Johnson has been praised by eminent critic Paul Boekkooi as a composer who has “an ear for the exotic and knows exactly how to bring it …
-
An Analytical Study of Mily Alekseyevich Balakirev's Musical Style in his Early Piano and Orchestra Works: Grande Fantaisie on Russian Folk Songs and Concerto Op.1 in F# Minor.
Balakirev's two early piano and orchestra works, Grande Fantaisie on Russian Folk Songs and Concerto Op. 1 in F# Minor, were composed in the middle of the nineteenth century when in Russia there were no particularly important works for piano and orchestra. Balakirev was still a teenager when he …
-
The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-sharp Minor for Piano and Orchestra, Opus 19 by Ignacy Jan Paderewski
… examining characteristics of Polish folk dances and how they are incorporated in this unique work by Paderewski. The study includes a comprehensive history of the fantasy in order to understand how Paderewski used various codified generic aspects of the solo piano fantasy, as well as those of the …
-
Amy Beach for the new generation: the effects of increased interest in Beach’s works on the current place in the performance canon of concerto for piano and orchestra in C sharp minor, op. 45
Amy Beach sets an example of musical activism and dedication to her art that has inspired and illuminated her successors. Beach’s music has particular significance considering that she is arguably the most notable female American composer-pianist. Thus, her Concerto for Piano and Orchestra in C …
-
Cuban Alleluia, piano concerto.
Cuban Alleluia is a concerto for piano and orchestra written in three movements. These movements are based on the rhythmic pattern of the ‘Cuban Cinquillo’, which recurs throughout the piece, creating a sense of unity among its various sections. The piece is intended as a hymn of praise to God, …
-
Sergei Rachmaninoff’s Piano Concerto No.4, Op.40 – A Historical Survey and Motivic Analysis of the Third Movement
… it is hard to make a claim as to which musical and extramusical influences pre- and post-emigration contributed to the aesthetic. In addition, the composer twice revised it, to make it more accessible to audiences. Despite these revisions, it remains the least accessible of Rachmaninoff’s five …
-
The development of the Russian piano concerto in the nineteenth century.
The Russian piano concerto could not have had more inauspicious beginnings. Unlike the symphonic poem (and, indirectly, the symphony)- genres for which Glinka, the so-called 'Father of Russian Music', provided an invaluable model: 'Well? It's all in "Kamarinskaya", just as the whole oak is in the …