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Showing 1 to 3 of 3 for “"myth and music"”.

  1. Music-theatre as music: A practical exploration of composing theatrical material based on music-centric conceptualisation of myth

    This thesis examines the notion of 'music-theatre as music' in its relation to myth. It is provided as an indispensable tool of critical commentary for the accompanying performances (that are included in the submission in DVD documentation) and as an in-depth analysis of the issues that relate to …

    whiterose Repository record for Music-theatre as music: A practical exploration of composing theatrical material based on music-centric conceptualisation of myth (opens in a new tab)

  2. Antický hudební mýtus a jeho responze ve středoškolské hudební výchově

    The thesis is focused on the influence of mythology on music. Classical myths with musical elements are understood as an inspiration sources for musical works, especially on instrumental program music, musical impressionism and on the music of 20th century. Historiographic aspect of the topic is …

    charles-prague Repository record for Antický hudební mýtus a jeho responze ve středoškolské hudební výchově (opens in a new tab)

  3. Myth in the Early Collaborations of Benjamin Britten and William Plomer

    … most well-known collaborations of William Plomer and Benjamin Britten are the three church parables (or church operas) - Curlew River, The Burning Fiery Furnace, and The Prodigal Son - by the time of the completion of Curlew River in 1964, the librettist and composer had been working together for …

    unt Repository record for Myth in the Early Collaborations of Benjamin Britten and William Plomer (opens in a new tab)