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Showing 1 to 9 of 9 for “"musique concrète"”.

  1. Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces

    … Utopica Futura Iannis Xenakis: Pour la paix (musique concrète/choral), Diamorphoses (musique concrète) Natasha Barrett: Submerged (acousmatic), Little Animals (acousmatic) The research determined which techniques work well together to create original and balanced art music, and explored …

    oxford-brookes Repository record for Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces (opens in a new tab)

  2. Angel’s Tears – multimedia work project

    … work for an eight-player chamber ensemble, musique concrète, and video, divided into eight chapters that explore the stages of alcohol intoxication, each corresponding to the levels of blood alcohol content (BAC). Inspired by the cocktail "Angel's Tears," the piece evokes the imagery of …

    uwo Repository record for Angel’s Tears – multimedia work project (opens in a new tab)

  3. Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape

    … contains a brief historical background of musique concrète, Electronische Musik, acousmatic music and music for instruments and tape, followed by basic descriptions of digital technique used in both parts of Summer Rain in Chapter 2. Also Chapter 2 describes software used in Summer Rain …

    unt Repository record for Summer Rain Part I Summer Rain - Dawn for Two-channel Tape; Part II After the Summer Rain for Piano and Two-channel Tape (opens in a new tab)

  4. Intermedial Interference in Electroacoustic Audiovisual Composition: An Investigation into Combining, Integrating, and Fusing Sound and the Moving Image. A Portfolio of Audiovisual Compositions

    … are those of electroacoustic music with a musique concrète approach, while the visual imagery is abstracted from reality. The research aims to explore the boundaries, intersections, and the interference between non-narrative moving images and electroacoustic music in an intermedial creative …

    bournemouth Repository record for Intermedial Interference in Electroacoustic Audiovisual Composition: An Investigation into Combining, Integrating, and Fusing Sound and the Moving Image. A Portfolio of Audiovisual Compositions (opens in a new tab)

  5. The unsound object and intimate space

    … artistic fields. The research begins with musique concrète and Pierre Schaeffer’s sound object, but draws on Mladen Dolar’s voice object, Christof Migone’s unsound and Six Years, Lucy Lippard’s account of conceptual art, instead of a strict acousmatic music narrative. A deliberate …

    arts-london Repository record for The unsound object and intimate space (opens in a new tab)

  6. Beyond the Veil: Revealing the Hidden Qualities of Objects and Spaces through Electroacoustic Audiovisual Experiences

    … and magnetic tape to formulate his theory of musique concrète, helping to create the wider genre of electroacoustic music. This thesis explores how sound installations that combine practice from both visual art and electroacoustic music can reveal hidden qualities in static objects whilst …

    de-montfort Repository record for Beyond the Veil: Revealing the Hidden Qualities of Objects and Spaces through Electroacoustic Audiovisual Experiences (opens in a new tab)

  7. The Appreciation of Electroacoustic Music - An Empirical Study with Inexperienced Listeners

    … music using real-world sounds (soundscape and musique concrète) was introduced, which included the delivery of a listening training, independent research and creative tasks (composition or devising a role-play). The teaching design followed the methods of active, collaborative and …

    de-montfort Repository record for The Appreciation of Electroacoustic Music - An Empirical Study with Inexperienced Listeners (opens in a new tab)

  8. After Silence: Improvised Music, Listening and Environmental Sound

    … Music, but also to acoustic ecology, 4 musique concrète, and ‘deep listening’. Finally, this research suggests that if listening is the result of a combination of ‘ears’ — and the more this structure or composition will remain inclusive, flexible and unsettled as an improvisation — the …

    arts-london Repository record for After Silence: Improvised Music, Listening and Environmental Sound (opens in a new tab)

  9. A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino

    "This dissertation examines the work of the Italian composer Salvatore Sciarrino (b. 1947), attempting to find a pathway for analysis that can address both its apparent structural simplicity, and its equally apparent intertextual nature. The first chapter demonstrates that typical methods of …

    uiuc Repository record for A polyphony of the mind: intertextuality in the music of Salvatore Sciarrino (opens in a new tab)