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Showing 1 to 20 of 41 for “"musical structure"”.

  1. Automated analysis of musical structure

    Listening to music and perceiving its structure is a fairly easy task for humans, even for listeners without formal musical training. For example, we can notice changes of notes, chords and keys, though we might not be able to name them (segmentation based on tonality and harmonic analysis); we can …

    mit Repository record for Automated analysis of musical structure (opens in a new tab)

  2. Creating Musical Structure through Performance: A Re-Interpretation of Brahms's Cello Sonatas

    From the mid nineteenth century onwards, musical form has primarily been defined in terms of predetermined paradigms, which ostensibly provide a framework for hierarchically ordered materials. Despite its pervasive presence in theoretical literature, however, this Formenlehre tradition is not …

    cambridge Repository record for Creating Musical Structure through Performance: A Re-Interpretation of Brahms's Cello Sonatas (opens in a new tab)

  3. Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980

    … we had come to know it, a movement of unbridled musical energy and passion without the essential restraining influences of formal guidelines and reverence for - traditions. With the benefit of hindsight, from observing the almost neoclassical stance of jazz in the 80s, the notion that this music …

    city-london Repository record for Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980 (opens in a new tab)

  4. The Application of Schenkerian Concepts of Musical Structure to The Analysis Segment of Basic Theory Courses at The College Level

    Made available in DSpace on 2014-12-11T17:21:00Z (GMT). No. of bitstreams: 1 7114836.pdf: 5607272 bytes, checksum: ec90e3cbb02841d0a441b9ff63a4dd26 (MD5) Previous issue date: 1970

    uiuc Repository record for The Application of Schenkerian Concepts of Musical Structure to The Analysis Segment of Basic Theory Courses at The College Level (opens in a new tab)

  5. ‘Dynamic Structure’ in the Performance of Symphonic Music: An Examination of Wilhelm Furtwängler’s Recordings

    Recent theoretical and critical re-evaluations of musical structure have fostered a new understanding of the concept: it has been argued that structure is best understood as a pluralistic and diachronic phenomenon emerging from structural relationships inferred individually by analysts, performers …

    cambridge Repository record for ‘Dynamic Structure’ in the Performance of Symphonic Music: An Examination of Wilhelm Furtwängler’s Recordings (opens in a new tab)

  6. Structuring processes in electroacoustic composition

    … Each approach is designed to create a musical structure that relates sound materials throughout the work in a meaningful way, with the final aim of presenting a memorable experience, enticing further listening. These relationships are explained by analysing the musical structure and by …

    city-london Repository record for Structuring processes in electroacoustic composition (opens in a new tab)

  7. An investigation of the construct validity and factor structure of the primary measures of music audiation through structural equation modeling

    … Model, (2) a Structural Model, based on the musical structure of the test items, and (3) a Developmental Model, which allowed for items to be related to different factors.

    uiuc Repository record for An investigation of the construct validity and factor structure of the primary measures of music audiation through structural equation modeling (opens in a new tab)

  8. Die wahre Art das Clavier mit Fantasie. Gesto y tempo en los rondós y fantasías de C. P. E. Bach. Un referente para el complejo expresivo

    … perspective on the process of creating the musical meaning, understanding the composer also as an performer. To do this in the thesis has developed a method of analysis called complejo expresivo and forma emoción in which physical gestures (instrumental) and metaphorical gestures, as well as …

    dialnet Repository record for Die wahre Art das Clavier mit Fantasie. Gesto y tempo en los rondós y fantasías de C. P. E. Bach. Un referente para el complejo expresivo (opens in a new tab)

  9. The repertoire of Kayamba Africa: contemporary reworking of traditional musics in Nairobi

    … consultants, as well as Kayamba Africa's musical structure and recordings of Boniface Mganga's choral arrangement of Ngulũ and Hugh Tracey's recording of 'Rũimbo rwa ngũ'.

    cape-town Repository record for The repertoire of Kayamba Africa: contemporary reworking of traditional musics in Nairobi (opens in a new tab)

  10. Revealing the Determinants of Acoustic Aesthetic Judgment Through Algorithmic

    … strong biases about relevant features (e.g., musical structure). In this project, a DNN is trained to mimic the acoustic aesthetic judgment of a professional composer. A unique corpus of sounds and corresponding professional aesthetic judgments is leveraged for this purpose. By applying a …

    vt Repository record for Revealing the Determinants of Acoustic Aesthetic Judgment Through Algorithmic (opens in a new tab)

  11. Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria

    … melodies, which are deployed using two specific musical forms, virelai and Andalusian rondeau, reinforce their devotional intent. The musical structure strengthens both story and moral in each cantiga, thus joining music, lyric, and narrative to allow Cantigas de Santa Maria to be a uniquely …

    ohiolink Repository record for Marian Devotion Through Music, Lyric, and Miracle Narrative in the Cantigas de Santa Maria (opens in a new tab)

  12. Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58

    … historical performance practices, and possible musical implications of the application of the Orpheus program as proposed by Owen Jander. The formal and theoretical analysis refers to significant scholarly works and includes a variety of interpretive options, detailing possibilities for …

    lsu-thes Repository record for Practical performance considerations for the Andante con moto of Beethoven's Piano Concerto in G Major, Op. 58 (opens in a new tab)

  13. The Spiritual Madrigals of Giovanni Pierluigi Da Palestrina

    … information about the historical context. Musical context for the composition and performance of these pieces is given in Chapter 2; that chapter also addresses issues of performance practice problems inherent in this repertoire. Chapter 3 includes analysis of the poetic structure, …

    uiuc Repository record for The Spiritual Madrigals of Giovanni Pierluigi Da Palestrina (opens in a new tab)

  14. Motives, Allusions, and Eclecticism: A Panametric Analysis of the First Movement of Christian Lindberg's Mandrake in the Corner Based on the Method of Jan LaRue

    … and ensemble works for trombone. Many prominent musical organizations in the world have performed Lindberg's music, including the Chicago Symphony Orchestra, the St. Paul Chamber Orchestra, and the University of North Texas Wind Ensemble. Today, Christian Lindberg has commission requests up to …

    unt Repository record for Motives, Allusions, and Eclecticism: A Panametric Analysis of the First Movement of Christian Lindberg's Mandrake in the Corner Based on the Method of Jan LaRue (opens in a new tab)

  15. A Portfolio of Compositions and Commentary

    … roles which such melodies can play in a musical structure. These pieces espouse a structural thinking encompassing a wide variety of material, but attempt to find unity and coherence even within the most extreme of contrasts. Each of these pieces also constitutes a dialogue, more or less …

    kings Repository record for A Portfolio of Compositions and Commentary (opens in a new tab)

  16. Musical form in non-narrative video

    "Musical Form in Non- Narrative Video" explores musical structure as a model for visual form over time, specifically in the creation of artistic video. Video is a medium in which sound and image coexist at the source as electronic signals, offering new possibilities of abstract synesthesia. Forms …

    mit Repository record for Musical form in non-narrative video (opens in a new tab)

  17. Structural analysis of the Chopin Etudes as prerequisite to physical practice

    … will enable the performer to understand the musical structure of a Chopin etude in its broader and finer detail. The analytical procedure also supports thorough investigation into Chopin's interpretative indications. The study is geared towards the pianist with a mature technique who will …

    cape-town Repository record for Structural analysis of the Chopin Etudes as prerequisite to physical practice (opens in a new tab)

  18. The influence of music on the emotional interpretation of visual contexts

    … how alterations of specific aspects within the musical structure may influence the interpretation of visual scenarios.</p> <p>Background is provided from film-sound theory, studies of the expressive capabilities of sound in film, theories of connotation related to musical tonality, music …

    iastate Repository record for The influence of music on the emotional interpretation of visual contexts (opens in a new tab)

  19. 13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's "Chrysalid Requiem", "Gradual /Tract"

    … intervals of a hyperchromatic scale to build a musical structure composed of well over a thousand discrete pitches. Johnston's microtonal techniques, from the smallest bits of melody and harmony to the largest aspects of design, were never so well on display as in this movement. Coupled with the …

    uiuc Repository record for 13-Limit Extended Just Intonation in Ben Johnston's String Quartet #7 and Toby Twining's "Chrysalid Requiem", "Gradual /Tract" (opens in a new tab)

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