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Showing 1 to 7 of 7 for “"music societies"”.

  1. The Use of Newspapers as a Source for Musicological Research: A Case Study of Dublin Musical Life 1840–44

    Due to a paucity of primary sources, research on music in nineteenth-century Ireland is largely dependent on newspapers as source material. However, to date, no comprehensive examination has been conducted into the musical identities of these newspapers, the bias which influenced their output, or …

    maynooth Repository record for The Use of Newspapers as a Source for Musicological Research: A Case Study of Dublin Musical Life 1840–44 (opens in a new tab)

  2. The Early Music Ensemble in 21st Century America

    The early music ensemble has evolved from a counterculture to a mainstream musical genre. Because of this early music is having to learn arts management. Once a unique force it now competes with other arts organizations for funding and audience. Unlike other arts groups, early music has little help …

    unt Repository record for The Early Music Ensemble in 21st Century America (opens in a new tab)

  3. Musical multiplicities: The lives and reception of four post-Romantic women

    Many musical women were active during the Romantic and Post-Romantic eras. They hailed from a variety of backgrounds, and worked in a variety of musical vocations. This thesis focuses on four of these multi-talented individuals: Teresa Carreño (1853–1917), Mel Bonis (1858–1937), Amy Beach …

    umkc Repository record for Musical multiplicities: The lives and reception of four post-Romantic women (opens in a new tab)

  4. Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin

    Appointed to the most eminent of musical establishment positions, Robert Prescott Stewart (1825–1894) was held in high regard by Dublin’s musical public and was seen as the ‘figurehead’ of music in Ireland by his English contemporaries. His career as an organist of exceptional talent saw a lengthy …

    maynooth Repository record for Robert Prescott Stewart (1825–1894): A Victorian Musician in Dublin (opens in a new tab)

  5. From Lineage to Legacy: Charles Garland Verrinder and Victorian Anglo-Jewish Music

    … an unusual insight into the world of Jewish music in Victorian Britain. An Anglican musician trained as a chorister at Salisbury Cathedral and with Royal Organist Sir George Elvey, Verrinder’s forty-five-year career as the first organist of the West London Synagogue (Britain’s first ‘Reform’ …

    cambridge Repository record for From Lineage to Legacy: Charles Garland Verrinder and Victorian Anglo-Jewish Music (opens in a new tab)

  6. Las publicaciones periódicas musicales zaragozanas en la España de la Restauración (1883-1924): un estudio de la sociedad, cultura y actualidad artística locales

    … de un estudio crítico-analítico de la prensa musical que vio la luz en Zaragoza a lo largo de cuatro décadas (1883-1924), dentro del marco de la Restauración borbónica. Ello permite conocer en profundidad la realidad musical zaragozana en sus numerosos y variados aspectos, mediante la …

    dialnet Repository record for Las publicaciones periódicas musicales zaragozanas en la España de la Restauración (1883-1924): un estudio de la sociedad, cultura y actualidad artística locales (opens in a new tab)