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Showing 1 to 9 of 9 for “"jesmyn"”.
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Reframing as Reclamation: Trauma Theory, African Spiritualism, and Ecocriticism in Jesmyn Ward’s Sing, Unburied, Sing
… ecocriticism and trauma theory intersect within Jesmyn Ward’s novel <em>Sing, Unburied, Sing </em>(2017) to tackle the complex act of collective healing. Trauma, and its subset transgenerational trauma, have often been a focal point for critical analysis of other African American texts that …
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Finding Identity Through Survival: The Impact of the Hurricanes in Zora Neale Hurston’s Their Eyes Were Watching God and Jesmyn Ward’s Salvage the Bones
… <em>Their Eyes Were Watching God </em>and Jesmyn Ward’s <em>Salvage the Bones</em>. In both novels, the authors use the imagery of setting combined with the characterization of poor women of color in order to emphasize both the effects of environmental disaster on vulnerable communities and …
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WITH SLABS, BONES, AND POLES: DE/CONSTRUCTING NARRATIVES OF HURRICANE KATRINA IN JESMYN WARD’S SALVAGE THE BONES, NATASHA TRETHEWEY’S BEYOND KATRINA, AND SELAH SATERSTROM’S SLAB
… of three texts about Hurricane Katrina: Jesmyn Ward’s Salvage the Bones (2011), Natasha Trethewey’s Beyond Katrina (2010), and Selah Saterstrom’s Slab (2015). The texts are arranged by form, beginning with Ward’s novel, followed by Trethewey’s hybrid memoir, and finally, Saterstrom’s …
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“‘Is this what motherhood is?’: Ambivalent Representations of Motherhood in Black Women’s Novels, 1953-2011”
… Toni Morrison’s The Bluest Eye (1970), and Jesmyn Ward’s Salvage the Bones (2011). Diverging from the image of the strong black mother that frequently appears in black women’s writing, these novels contain women whose mothering experiences are hardly empowering; instead, they find the …
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Breakable binaries : representations of twins in African and African American literature, film, television, and cultures
… Half of a Yellow Sun, Toni Morrison's Paradise, Jesmyn Ward's Where the Line Bleeds, and ABC's series Black-ish and Sister, Sister, along with several other novels and Nollywood and Disney films and series, this dissertation observes the representational parallels among twin figures across …
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Re-Imagining America: Twenty-First Century Disaster And Salvation In Contemporary Fiction
… they contain. Cormac McCarthy's The Road and Jesmyn Ward's Salvage the Bones tell stories of disasters the natures of which reflect prominent anxieties concerning the twenty-first century position of the United States as a global power. The total destruction leaving behind an unrecognizable …
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Raw Feelings: Ecologies of Race and Sexuality in Contemporary American Literature
… of surprising eroticism. Chapter Two contrasts Jesmyn Ward’s 2011 novel Salvage the Bones with William Faulkner’s Absalom, Absalom!, in order to look at how atmosphere and climate have been conceived as responsible for molding human bodies’ racial and sexual “character.” Chapter Three compares …
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“The Sunlit Prison of the American Dream”: Representing Carcerality in Contemporary American Fiction
… carcerality in slavery through selected works by Jesmyn Ward and Colson Whitehead, exploring how the genre of the slave narrative was shaped by its historical context and how it has influenced contemporary writing about prisons. I then discuss the impact of incarceration on family units, as seen …
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Autobiographical subjects: Disability and social identity in life writing
Made available in DSpace on 2021-03-05T21:45:35Z (GMT). No. of bitstreams: 3 OBRIEN-DISSERTATION-2020.pdf: 1428348 bytes, checksum: d79834afe93f528d82ec75fc96fc36eb (MD5) JML Reprint Permissions.pdf: 75262 bytes, checksum: e651e741703420d56575151cc46713e3 (MD5) LICENSE.txt: 4212 bytes, checksum: …