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Showing 1 to 9 of 9 for “"jazz history"”.

  1. Making America's music: jazz history and the Jazz Preservation Act

    … significant examples of the process by which jazz has been shaped by the music industry and government and their ideas of the place of jazz within American culture and society. The examples demonstrate that the history and traditions of jazz are not fixed entities, but rather constructions …

    glasgow Repository record for Making America's music: jazz history and the Jazz Preservation Act (opens in a new tab)

  2. Lennie Tristano (1919--1978): His Life, Music, and Teaching

    … dissertation re-evaluates Tristano's position in jazz history and addresses problems of the current tendency toward the canonization of jazz, in which he is misleadingly labeled as a ""cool"" jazz musician. The research methods combine oral history, archival research, and musical analysis. The …

    uiuc Repository record for Lennie Tristano (1919--1978): His Life, Music, and Teaching (opens in a new tab)

  3. Charles Mingus Played Bass?: Rediscovering a Jazz Soloist Through Transcription

    … composer Charles Mingus (1922-1979) was one of jazz music's most influential and prolific artists. Both his instrumental and compositional abilities were highly regarded during his life, and remain so today. However, current discussions focus more on his composing than soloing, which has led …

    umkc Repository record for Charles Mingus Played Bass?: Rediscovering a Jazz Soloist Through Transcription (opens in a new tab)

  4. Respectability and The Modern Jazz Quartet; Some Cultural Aspects of Its Image and Legacy As Seen Through the Press

    "The Modern Jazz Quartet (MJQ) was a noted jazz ensemble whose original members—John Lewis (piano and director), Milt “Bags” Jackson (vibraphone), Ray Brown (bass) and Kenny “Klook” Clarke (drums)—first performed together in Dizzy Gillespie’s big band in 1946.1 Lewis (1920-2005), Jackson …

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  5. Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980

    The jazz avant-garde of the 60s and 70s has often been depicted as a movement that signalled the end of jazz as we had come to know it, a movement of unbridled musical energy and passion without the essential restraining influences of formal guidelines and reverence for - traditions. With the …

    city-london Repository record for Improvising pianists : aspects of keyboard technique and musical structure in free jazz - 1955-1980 (opens in a new tab)

  6. Gunther Schuller, his influence on the French horn

    … in the instrument's introduction into the jazz medium; his interest in musicological research has encompassed the study of various types of music and resulted in Early Jazz: Its Roots and Musical Development, 2 considered by some to be "the definitive musicological treatment of jazz history

    ballstate-thes Repository record for Gunther Schuller, his influence on the French horn (opens in a new tab)

  7. Urban Landscape Change in New Orleans, LA: The Case of the Lost Neighborhood of Louis Armstrong

    <p>While Jane Jacobs' frontal assault on "modern planning" is now over forty years old, communities around the United States are still struggling to deal with the legacy of modernist interventions that dramatically altered the historic urban form and culture of their downtowns. In the worst cases, …

    uno Repository record for Urban Landscape Change in New Orleans, LA: The Case of the Lost Neighborhood of Louis Armstrong (opens in a new tab)

  8. Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others

    … art music forms exist simultaneously with jazz. Furthermore, Schuller specifically states in the liner notes to the debut recording of Eine Kleine Posaunenmusik "The work is not a Third Stream piece." Yet the concerto alludes to jazz through a multitude of slide glissandi and plunger mute …

    unt Repository record for Gunther Schuller and John Swallow: Collaboration, Composition, and Performance Practice in Eine Kleine Posaunenmusik, with Three Recitals of Selected Works by Berio, Bogle, Gregson, Pryor, Suderburg and Others (opens in a new tab)

  9. The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone

    … the last fifty years that draws as much from the jazz tradition as from that of European classical music. While much attention has been paid to these works' use of characteristic jazz rhythms, harmonies and melodic inflections, there has been little focus on timbre, the musical element that …

    unt Repository record for The Influence Of Jazz On Timbre In Selected Compositions For Solo Trombone (opens in a new tab)