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Showing 1 to 7 of 7 for “"international exhibition"”.

  1. The New York Crystal Palace: an international exhibition of goods and ideas

    … New York Crystal Palace, formally known as the Exhibition of the Industry of All Nations, 1853, opened in New York City on July 15, 1853, and lasted for two years. The exhibition was modeled after the first international exhibition, the London Crystal Palace of 1851. Both the New York Exhibition …

    udel Repository record for The New York Crystal Palace: an international exhibition of goods and ideas (opens in a new tab)

  2. Sidney Carter (1880-1956) and the politics of pictorialism

    … transmission, specifically, the notion of the "international" art movement and its reception in colonial cultures. Pictorialists distanced themselves from both commercial photographers and the established camera club circuit, and sought out more prestigious alignments within the larger art …

    concordia Repository record for Sidney Carter (1880-1956) and the politics of pictorialism (opens in a new tab)

  3. Writing Barcelona: Reflections on City Planning and Urban Experience, 1854--1888

    … mandatory rites of passage: the Universal Exhibition of 1888, the International Exhibition of 1929, the 1992 Olympic Games, and the Forum Internacional de les Cultures in 2004. Ultimately, I suggest that these two apparently irreconcilable positions---the overarching plans of urban …

    uiuc Repository record for Writing Barcelona: Reflections on City Planning and Urban Experience, 1854--1888 (opens in a new tab)

  4. Gli artisti sardi nel sistema espositivo fascista, contesti e produzione. 1922-1942

    … which is considered the vertex of the fascist exhibition system. It was decided to trace their profiles by delving into the aspects closely linked to the Venetian experience performed by each of them, from the moment of the Fascist takeover to the forced pause due to the looming Second World …

    cagliari Repository record for Gli artisti sardi nel sistema espositivo fascista, contesti e produzione. 1922-1942 (opens in a new tab)

  5. Staging modern statehood: world exhibitions and the rhetoric of publishing in late Qing China, 1851-1910

    … statehood through participating in the world exhibitions and hosting the Nanyang Industrial Exposition of 1910, the first national / international exhibition of China, was challenged and transformed by various agents with different views and rhetorics regarding the representation of China at …

    uiuc Repository record for Staging modern statehood: world exhibitions and the rhetoric of publishing in late Qing China, 1851-1910 (opens in a new tab)

  6. Weaving histories: cultural memory, similarity, and curatorial approach in the interpretation of Achaemenid and Safavid Persian carpets

    … moment in this cultural vision was the 1931 International Exhibition of Persian Art at the Royal Academy of Arts in London, curated by Arthur Upham Pope with Reza Shah’s support. Reza Shah also encouraged Iranian artists to study abroad, while Mohammad Reza Shah and Empress Farah Diba …

    london-metro Repository record for Weaving histories: cultural memory, similarity, and curatorial approach in the interpretation of Achaemenid and Safavid Persian carpets (opens in a new tab)

  7. A New Narrative of Historical Styles in Nineteenth-Century Britain

    … in particular those involved in the Great Exhibition of 1851 and the South Kensington project; the art press, as embodied by *The Art-Journal*; manufacturers and artisans; and finally, the ‘silent majority’ of the consuming public. Subsequent chapters present a kaleidoscopic view of the …

    cambridge Repository record for A New Narrative of Historical Styles in Nineteenth-Century Britain (opens in a new tab)