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Showing 1 to 6 of 6 for “"grunge"”.

  1. Come As You Are, As I Want You to Be: Grunge/Riot Grrrl Pedagogy and Identity Construction in the Second Year Writing Program

    <p>A look at how artists in the grunge and Riot Grrrl movements constructed public identities that typically appealed to the economic, cultural, and social conditions of the early 1990s. These public personas -- perceived as “honest” -- were defined by negotiation with mainstream culture, the …

    uno Repository record for Come As You Are, As I Want You to Be: Grunge/Riot Grrrl Pedagogy and Identity Construction in the Second Year Writing Program (opens in a new tab)

  2. Komdu eins og þú ert: Áhrif gruggtónlistar á Kynslóð X

    Í þessari ritgerð er fjallað um gruggtónlist (e. Grunge music) og hugtakið Kynslóð X (e. Generation X) og þau skoðuð í mannfræðilegu samhengi. Hugtökin verða skoðuð ein og sér og svo verður leitast við að skoða hvaða áhrif gruggið hafði á Kynslóð X. Gruggið verður til á síðari hluta 9. áratugar 20. …

    u-iceland Repository record for Komdu eins og þú ert: Áhrif gruggtónlistar á Kynslóð X (opens in a new tab)

  3. Radiohead's subterranean jazz structuralism: the music of Louis Armstrong, Alice Coltrane, Miles Davis, and Charles Mingus in ten compositions by Radiohead

    … reputation changed from being a ""Nirvana-lite"" grunge band to ""Re-Inventors of rock,"" as described by Time Magazine in 2000. Starting in 1996, Radiohead confused the industry by modeling Miles Davis’s Bitches Brew in their album OK Computer. After winning a Grammy award, their jazz inspired …

    uiuc Repository record for Radiohead's subterranean jazz structuralism: the music of Louis Armstrong, Alice Coltrane, Miles Davis, and Charles Mingus in ten compositions by Radiohead (opens in a new tab)

  4. A Historical Geography of the Music Industry

    … the Seattle 'scene' prior to the introduction of grunge rock in the early 1990s. In each instance, a critical physical distance or cognitive distance, between the corporate recording industry and the group of musicians residing in these cities preceded the introduction of their respective musical …

    uiuc Repository record for A Historical Geography of the Music Industry (opens in a new tab)

  5. The Same Old Blues Crap: Selling The Blues At Fat Possum Records

    … music consumers in the 1990s who were fans of grunge and rap but perhaps unfamiliar with blues music. A closer look at these records reveals that the imagery and rhetoric found on Fat Possum’s albums is riddled with troubling stereotypes about black men from the rural South. Fat Possum seized …

    mississippi Repository record for The Same Old Blues Crap: Selling The Blues At Fat Possum Records (opens in a new tab)

  6. Writing to Shake the World: The Historical Avant-Garde, Political Postmodernism and the Post-Avant-Garde

    … (ACT UP AIDSdemographics, ZOO TV, Riot Grrrl, Grunge, hip-hop, etc.) as they get represented and disseminated by Spin magazine. By mapping out a cultural terrain that connects John Reed and the historical avant-garde to Spin magazine and the post-avant-garde, this book adds its voice to …

    uiuc Repository record for Writing to Shake the World: The Historical Avant-Garde, Political Postmodernism and the Post-Avant-Garde (opens in a new tab)