Global ETD Search

Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.

Results

Showing 1 to 3 of 3 for “"germaine dulac"”.

  1. Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s <em>La Coquille et le Clergyman</em>

    Germaine Dulac's 1928 avant-garde film, La Coquille et le Clergyman, based on a script written by Antonin Artaud, presents the idea of the woman as an object of desire, subjected to the male gaze through the cinematic process. Not only is the lone female character the object of desire of her two …

    usf Repository record for Identity, Desire and Spectatorship: An Examination of Germaine Dulac’s <em>La Coquille et le Clergyman</em> (opens in a new tab)

  2. Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation

    … in scholarship on art cinema. Filmmakers such as Germaine Dulac, Agnès Varda and Sally Potter, for instance, have produced significant cinematic oeuvres but due to the field's continuing phallocentricity, they have not enjoyed the critical acclaim of their male peers. Feminist scholarship has …

    east-anglia Repository record for Women Directors in ‘Global’ Art Cinema: Negotiating Feminism and Representation (opens in a new tab)

  3. THE MULTI-IMAGE: The Origin and Possibilities of Visual Collage in Cinema

    The ‘multi-image’ is an overarching term covering various techniques of combination. These include split-screen, compositing, framing, superimposition and collage. This thesis explores the cinematic origins of the technique and examines a selection of its various possible uses. It covers the silent …

    dundee Repository record for THE MULTI-IMAGE: The Origin and Possibilities of Visual Collage in Cinema (opens in a new tab)