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Showing 1 to 8 of 8 for “"film scores"”.

  1. A Score of Voices: Creating and Scoring an Original Film With A cappella Choir

    <p>Film scores typically feature large instrumental ensembles, sometimes with choir added at pivotal moments. Rarely, however, is the choir entrusted with a greater percentage of the score, and far too scores explore the sonic potential that vocal music has to offer. In fact, in a recent study of …

    sfasu Repository record for A Score of Voices: Creating and Scoring an Original Film With A cappella Choir (opens in a new tab)

  2. CHARACTER DEVELOPMENT AND REVOLUTION: USE OF LEITMOTIF IN THE FIRST ACTS OF LES MISÉRABLES AND HAMILTON: AN AMERICAN MUSICAL

    … idea, or situation, is a device used in operas, film scores, and musical theater. Accredited to Richard Wagner, leitmotifs enhance storytelling and provide a sense of cohesion to a production. The popular musicals Les Misérables and Hamilton bear many similarities, including the use of leitmotif …

    sfasu Repository record for CHARACTER DEVELOPMENT AND REVOLUTION: USE OF LEITMOTIF IN THE FIRST ACTS OF LES MISÉRABLES AND HAMILTON: AN AMERICAN MUSICAL (opens in a new tab)

  3. The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony

    … collection, is probably the best known of his film scores. The effectiveness of The Red Pony score stems from Copland's belief that film music should be subordinate to the film it accompanies. Copland composed The Red Pony score using his self-described method of "assembly," augmenting this …

    unt Repository record for The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony (opens in a new tab)

  4. Pop goes the theory: incorporating popular music into the undergraduate music theory curriculum

    … decades, but also with occasional forays into film scores, video game soundtracks, Christmas carols, musical theater, patriotic songs, even television jingles and nursery rhymes. The target audience for this project are theory teachers who want to integrate popular music into their classes but …

    ballstate-thes Repository record for Pop goes the theory: incorporating popular music into the undergraduate music theory curriculum (opens in a new tab)

  5. The Songs of David Amram: A representative analysis and review of published vocal music for accompanied and unaccompanied voice

    … embrace many genres including incidental music, film scores, symphonies, concertos, sonatas, instrumental trios, quartets, cantatas and operas as well as songs. One of Amram's earliest published songs, Pull My Daisy, is from his musical score for the experimental film of the same name. The song, …

    unt Repository record for The Songs of David Amram: A representative analysis and review of published vocal music for accompanied and unaccompanied voice (opens in a new tab)

  6. A Brief History of Live Cinema and Rehearsal Considerations for Metropolis Triptych by Nathan Jones

    … a renewed interest in the music that accompany films from the Silent Film Era (1895–1930), sparking both the revival of original scores and the composition of new scores for silent films. These modern scores involve a diverse collection of artists, musical styles, and venues that—in combination …

    ku Repository record for A Brief History of Live Cinema and Rehearsal Considerations for Metropolis Triptych by Nathan Jones (opens in a new tab)

  7. Unfamiliar sounds in familiar settings: On the cosmopolitan labour of film composers in Istanbul

    Filmmaking in Turkey has long, convoluted history. The Turkish film industry developed, flowered, and declined before being nearly obliterated altogether by a military coup in 1980. Following the nearly total disappearance of a coherent studio system, a new approach to filmmaking, the New Turkish …

    uiuc Repository record for Unfamiliar sounds in familiar settings: On the cosmopolitan labour of film composers in Istanbul (opens in a new tab)