Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 16 of 16 for “"field recording"”.
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An Omnivorous Ear: The Creative Practice of Field Recording
“An Omnivorous Ear - The Creative Practice of Field Recording” offers new insights into the history of recording outside of the studio in North America, challenging the various working definitions of field recording in music studies, anthropology, and communications. I examine recording …
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Trajectories of field recording: Sonic fluxes, fuzzy lines and relational space in practice
… is constituted via interaction, I examine my own field recording practice, and the recorded documents I produce, for ways of thinking the diversity and dynamism of interaction. In doing so, I develop six sonic figures: Volume, Propagation, Reverberation, Masking, Interference and Not-Sounding, and …
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Experiential Encounters with Architecture and Sound: The Use of Styli in Urban Field Recording and Lefebvre's Rhythmanalysis
… between sound and space in architecture through field recording practices, live performance, sounding artifacts (vinyl), DJ performances, crowdsourcing, community-based projects, mindfulness, and visual art. It provides examples of research practices undertaken, touching on psychogeography, …
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Contact Zones and Elsewhere Fields: The Poetics and Politics of Environmental Sound Arts
How is agency distributed “in the field” and how can the practice of field recording critically manifest the relationship between humans and non-humans? This thesis posits an original art practice of field recording based on a perspective I am calling “Inter-agential”. Employing the self-reflexive …
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The Multiphonic Fens
… narratives through the practice and process of field recording in the East Anglian Fens. The field recordings are transformed into unique compositions that reflect the subjective perspectives of the field recordist witnessing changes in the four traditional British seasons in the Fens. By …
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Red Lake / Black Mine: Affective Bodies and Material Complicity in Sound Art Practice
… operates at the intersection of field recording, electroacoustic composition and sound art. It investigates how material—often considered inert—possesses agency, drawing the body of the artist to other affective bodies (sounds, objects, and actions) that exert influence on the …
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What are the possibilities of the sonic laboratory?
… laboratories through planetary listening and field recording to challenge the conventional and hegemonic practices of specific laboratories and identify the sonic laboratory's transformative potential. For this critical investigation of the laboratory, I draw on Bruno Latour's text, Laboratory …
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Listening to Museums: Sounds as objects of culture and curatorial care
… of a variety of contemporary museums via field recording and sound mapping. Through a critical listening practice, this mapping leads to a central question: can sounds act as objects analogous to physical objects within museum practice – and if so, what is at stake in creating a museum …
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Vibrating the Web: Sonospheric Studies of Media Infrastructure Ecologies
… of growing critical art practice researching the field of media infrastructures, and will contribute to the field of sound studies by arguing, and defining a methodology, for listening sonospherically (Oliveros, 2011). Through six original artistic projects researching the presence of media …
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Sonic Perceptual Ecologies: Strategies for sound-based exploration,perception and composition in spaces of transient encounters
… a novel, cross-‐disciplinary framework to the field of sound studies. It examines how our inherent capacities as listeners are manifested in transitional urban environments, and the primary role of voice as a vehicle for perception in field recording and soundwalking practices. Using the …
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Computer-Aided Music Therapy Evaluation: Investigating and Testing the Music Therapy Logbook Prototype 1 System
… needs, the multi-disciplinary team work, the pre-field and field recording tests, and the computational music analysis tests are each presented in turn, preceded by an in depth literature review on historical and existing music therapy evaluation methods. A final chapter presents investigative …
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Placing sound: a contextual exploration of personal identities in sound art discourse through performance art practice.
… identity-based approaches challenge the field of sound art?; 3) How can an artist negotiate the interdisciplinary challenge of music versus visual art approaches in sound art?; and 4) How and in what ways can performance art practice expand strategies of making, in the field of sound art …
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AURAL SUBSTANCE: AN ETHNOGRAPHIC EXPLORATION OF REGIONAL BURN SOUNDSCAPES
… national event's sound by way of ethnography and field recording. From June 2016 through February 2017, I conducted fieldwork and collected fifty-five hours of field recordings at seven different regional burns. I employ ethnomusicologist Steven Feld’s concept of “acoustemology,” or “sound as a …
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The Composer Isn't There: A personal exploration of place in fixed media composition
… sound materials at a given time whether they are field recordings or synthesised materials. The way in which sound material is subsequently processed and structured reflects this. Place and the compositional practice inform each other in a two-way process. This results in what Katharine Norman …
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From Hyperreal Sonic-Images to Phonographic Sound: A Portfolio of Original Compositions
… Spatialisation1 technique and the ’Multi-Device Recording Methodology’ as this was applied in a number of the works. The elaborate spatialisation and recording processes attempt to create more spatially complex and acoustically accurate sonic-images (or sound fields) from stereophonic sources …