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Showing 1 to 5 of 5 for “"dziga vertov"”.

  1. THE MULTI-IMAGE: The Origin and Possibilities of Visual Collage in Cinema

    … Jean Epstein, Abel Gance, Sergei Eisenstein and Dziga Vertov), modern silent films (focusing on Guy Maddin), David Lynch, Peter Greenaway and Jean-Luc Godard. Through this history, the thesis traces the recurring thematic purposes employed using the multi-image, including revelation, …

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  2. Text and Context: Rethinking John Dos Passos, Post-Revolutionary Soviet Filmmakers, and the Modern Novel

    … techniques, including those of Soviet filmmakers Dziga Vertov and Sergei Eisenstein, in fashioning his own narrative methods. In discussing U.S.A., most critics point to the ways in which the documentary elements—the Camera Eyes, Biographies, and Newsreels—form the historical and sociological …

    suny-potsdam Repository record for Text and Context: Rethinking John Dos Passos, Post-Revolutionary Soviet Filmmakers, and the Modern Novel (opens in a new tab)

  3. Mobile-mentory mobile documentaries in the mediascape

    … documentary practices, such as interval theory (Dziga Vertov) and Ur-Kino (Hans Richter). The final chapters examine the new emerging mobile aesthetic in the research timeframe from 2004 to 2007 and further develop the argument that innovation in mobile filmmaking occurred, both in the domain of …

    westminster Repository record for Mobile-mentory mobile documentaries in the mediascape (opens in a new tab)

  4. Film Here Now: Daily Filmmaking and the Path to Well-being

    … by André Bazin, Siegfried Kracauer and Dziga Vertov. Unlike them, I reject the notion that the camera sees what I see and the idea that it has the ability to record or reproduce my experience of the world. Instead, I argue that the process of making daily Actualities serves as a tool …

    plymouth Repository record for Film Here Now: Daily Filmmaking and the Path to Well-being (opens in a new tab)

  5. The Art of Fact: An exploration of the relationship between theory and practice in documentary filmmaking

    … particular filmmakers will be discussed, namely Dziga Vertov, Jean Rouch and the city symphony makers of the early 20th century, in relation to how their ideas and film work have had a major impact on my own approach to filmmaking. Section 2 is the practical portfolio of work itself and acts as …

    liverpool-jm Repository record for The Art of Fact: An exploration of the relationship between theory and practice in documentary filmmaking (opens in a new tab)