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Showing 1 to 3 of 3 for “"dastgāh"”.

  1. Tarnavazan

    … music. The Persian material is derived from the dastgāh Shur and dastgāh Nava (two Persian modes), while the Western material is based on a mode called the Partials mode, which is derived from the harmonic spectrum of the note D4 on the Tār (a traditional Persian instrument). The tempos of the …

    calgary Repository record for Tarnavazan (opens in a new tab)

  2. Music Making in Iran: Developments Between the Sixteenth and Late Nineteenth Centuries

    … or twelve large-scale performance formats (<em>dastgāh</em>s) and what socio-cultural forces were behind this development. In doing so, this dissertation draws on a variety of sources including musical treatises, song-text collections, court chronicles, travel accounts, biographies, paintings, …

    cuny-grad Repository record for Music Making in Iran: Developments Between the Sixteenth and Late Nineteenth Centuries (opens in a new tab)

  3. Extracting Theory from Practice: A Computational Analysis of the Persian Radif

    <p>This dissertation studies radif, the repertoire/system of Persian classical music, by developing a framework for computational research on vocal music performance. The radif consists of seven dastgāhs and five āvāzes (secondary dastgāhs). Each dastgāh consists of several pieces (gushes). …

    cuny-grad Repository record for Extracting Theory from Practice: A Computational Analysis of the Persian Radif (opens in a new tab)