Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 10 of 10 for “"cinematic experience"”.
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Distracted spectatorship, the cinematic experience and franchise films
… in order to re-frame dominant accounts of the cinematic experience. In particular the project shows how distraction, defined as a series of puncta which expand the spectator’s cinematic experience, is integral to embodied experience of film spectatorship and fandom. Drawing on theoretical …
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Where is the mind of the media editor? An analysis of editors as intermediaries between technology and the cinematic experience
Where is the mind? A typical response to this fundamental question might be to locate the mind within the brain. However an increasing number of positions within Cognitive Philosophy argue that our mental processes extend beyond the boundaries of the brain. Gallagher & Zahavi(2008) have termed …
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Embodiment and the senses in travelogue filmmaking
… an analysis of the representation of embodied experience in the travelogue film genre. It reflects upon the embodied and synaesthesic nature of the cinematic experience by tracing a shift in travelogue filmmaking from the ocular realism characteristic of early travelogue films to the emergence …
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Black Filmmaker's Foundation
… independent African American Filmmaker creates a cinematic experience that lives in layers of time. In the end the film is sustained in the memory of the viewer.
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Cinematic Palimpsests: Polysemy and In(ter)dependency in the Spectator Experience
<p><strong> </strong>The model of the cinematic palimpsest helps us to critically reevaluate<strong> </strong>formal aspects of<strong> </strong>film language, relationships between film texts, and the construction of cinematic meaning in conversation with the spectator. Originating in Medieval …
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Realism of the senses: a tendency in contemporary world cinema
… the long take, which promotes a sensory viewing experience anchored in duration and the pure phenomenological presence of animate and inanimate matter. The theoretical underpinnings of the project are laid out in the Introduction, which addresses the alleged demise of realism in light of the …
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Re-animating Post-Digital Cinema: [Animated] Fluidity and Hybrid Aesthetics in Tomm Moore’s Celtic Trilogy
… in film.</p> <p>Paralleling a history of cinematic theories by Arnheim, Cholodenko and Manovich projects a shared space for (live action) cinema and the animated film, which even predates the digital era. This discussion is complicated by the total conflation of live action and animated …
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Radiant Sites: Projection and the Mobile Spectator in Contemporary Moving-Image Installations
… images to expand and elaborate upon the cinematic experience. It focuses on works by Douglas Gordon (b. 1966), Jim Campbell (b. 1956), and the partnered artists Janet Cardiff (b. 1957) and George Bures-Miller (b. 1960), all of whom have reconfigured the classical cinematic system of …
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DeepStream.tv : designing informative and engaging live streaming video experiences
… contextual information is added to the viewing experience. I focus on the continuing emergence of livestreams as a source of news and information, and address questions about the nature of the medium, and the social norms that guide its production and consumption. I address the fundamental …
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Beyond the Mirror: Towards a feminised (cartographic) process of spatiality in moving-image & installation based art
… a camera, I propose to alter an audience’s usual cinematic experience of an image of the feminine through my artwork. This is developed through my proposition for composing an experience of her image through inter-relational exchanges in order to shift the register of reception from gazing to …