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Showing 1 to 8 of 8 for “"basso continuo"”.

  1. Carl Philipp Emanuel Bach's Sonata for flute and basso continuo (WQ 128) : a transcription for cello

    … in A minor, Wq 128, for Flute, Keyboard, and Basso continuo for cello, keyboard, and basso continuo. This transcription is intended to help fill both a historical and pedagogical gap in the cello repertoire. SUPPLEMENTARY FILES: 1. I. C.P.E. Bach Sonata for Cello and Basso continuo (Wq 128) - …

    ballstate-thes Repository record for Carl Philipp Emanuel Bach's Sonata for flute and basso continuo (WQ 128) : a transcription for cello (opens in a new tab)

  2. The basso continuo : a survey of its origins in Italy and of its evolutionary diversification in Germany and France between 1650 and 1750

    I first became interested in the basso continua durir; ,; s ts to the Bartolomeo Cristofori Museum in Florence, where I hoped to trace :-,e development of the fortepiano and gain some insight into the circumstar:.es responsible for its appearance. Apart from an interest in the evolution of the …

    cape-town Repository record for The basso continuo : a survey of its origins in Italy and of its evolutionary diversification in Germany and France between 1650 and 1750 (opens in a new tab)

  3. Master's thesis recital (violin)

    … / Johannes Brahms -- Sonata for violin and basso continuo no. 4 in D major / George Frideric Handel -- Polonaise brillante in D major, op. 4 / Henri Wieniawski -- Sonata for violin and piano no. 3 in C minor, op. 45 / Edvard Grieg

    texas Repository record for Master's thesis recital (violin) (opens in a new tab)

  4. "A study and critical edition of Melchior Franck's ""Rosetulum Musicum"" (1628)"

    … (1628), consists of thirty-two vocal pieces with basso continuo. This project consists of an edition of twenty-eight of the pieces and an examination of various aspects of the collection.

    uiuc Repository record for "A study and critical edition of Melchior Franck's ""Rosetulum Musicum"" (1628)" (opens in a new tab)

  5. Thymiaterium Musicale (1625) by Andreas Rauch

    … motets scored for from four to eight voices with basso continuo. This collection of motets has never been transcribed and printed in an edition accessible to modern performance. The primary focus of this thesis was the transcription of the nine double-choir motets that conclude the collection. In …

    uiuc Repository record for Thymiaterium Musicale (1625) by Andreas Rauch (opens in a new tab)

  6. Eighteenth-century solo soprano cantatas: A study of Christoph Graupner’s (1683-1760) style and contribution to this genre

    … Chapter four also investigates the role of the basso continuo in solo soprano cantatas and the influence of opera on Graupner’s cantata compositional style. Chapter five details the performative considerations for the thirteen solo soprano cantatas presented over four public recitals during this …

    waikato-masters Repository record for Eighteenth-century solo soprano cantatas: A study of Christoph Graupner’s (1683-1760) style and contribution to this genre (opens in a new tab)

  7. Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain

    … traverso, violin, viola da gamba or cello, and basso continuo. It has to be noted, however, that Guillemain specifies the viol for the third obbligato line, whereas Telemann offers cello as an alternative. This in itself is of considerable interest. The relatively new quartet emerged towards the …

    cape-town Repository record for Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain (opens in a new tab)

  8. Te, Joseph, celebrent: An examination and guide to Manuel de Sumaya’s works for the feast of St. Joseph at the Cathedral of Mexico City, 1714-1715

    This dissertation examines three Latin pieces written by Manuel de Sumaya for the celebration of the Feast of Saint Joseph (March 19th) at the Cathedral of Mexico City. It looks at his Mass, motet, and hymn through a Spanish and Novohispanic lens in order to situate Sumaya’s music making in its …

    uiuc Repository record for Te, Joseph, celebrent: An examination and guide to Manuel de Sumaya’s works for the feast of St. Joseph at the Cathedral of Mexico City, 1714-1715 (opens in a new tab)