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Showing 1 to 9 of 9 for “"amateur musicians"”.

  1. Adult Amateur Musicians and Melodic Error Detection

    … on melodic error detection ability of adult amateur musicians; specifically, listening-condition, age, and years of experience. Following are the specific research questions of this study: </p> <p>1) Are there differences in error detection with regard to listening condition?</p> <p> 2) What …

    south-carolina Repository record for Adult Amateur Musicians and Melodic Error Detection (opens in a new tab)

  2. Rock Formation: Popular Music and the Technology of Sound Recording

    … and technological change by composers and musicians. The way technology affects the creation, composition and realization of popular music is investigated via interviews with professional and amateur musicians, producers and recording engineers. The critical issues this work addresses are; …

    uiuc Repository record for Rock Formation: Popular Music and the Technology of Sound Recording (opens in a new tab)

  3. Make This Make Sound

    … of play sessions, some with only practicing musicians, and the rest with only amateur musicians were facilitated to gather feedback on how the instruments could be played. This was done to investigate the question: How can making new instruments facilitate an experimental music making process …

    vt Repository record for Make This Make Sound (opens in a new tab)

  4. Source activity and tonotopic organization of the auditory cortex in musicians and non-musicians

    … in the auditory cortex of nine professional musicians, nine amateur musicians and nine non-musicians. The frequency of the tones ranged from 100 to 5600 Hz. On average, the evoked source activity of the primary auditory cortex occuring at 19-30 ms was 87 larger for musicians than for …

    heid-diss Repository record for Source activity and tonotopic organization of the auditory cortex in musicians and non-musicians (opens in a new tab)

  5. Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744)

    … role in preparing both professional and amateur musicians. The main focus of my work is formed by the published volumes of duos ranging in date from 1521, the year when the first collection was issued, to 1744, the date of publication of Angelo Bertalotti’s Solfeggi, though I also take …

    birmingham Repository record for Two-part didactic music in printed Italian collections of the Renaissance and Baroque (1521-1744) (opens in a new tab)

  6. Music performance anxiety therapies: a review of the literature

    … Anxiety. Equipping the next generation of musicians with the skills to handle fear, adrenaline, tension, and other threats to their concentration in demanding situations may not only improve the quality of the performing arts henceforward, but also their success and satisfaction onstage. …

    uiuc Repository record for Music performance anxiety therapies: a review of the literature (opens in a new tab)

  7. Kaili, the homeland of 100 festivals: Space, music, and sound in a small city

    … inhabitants’ conceptualizations of music, amateur music-making practices, and the construction of the built environment. Drawing on Henri Lefebvre's triad of social space as a basic framework, I explore the complexity of the city through multiple aspects of the relationship between space, …

    westminster Repository record for Kaili, the homeland of 100 festivals: Space, music, and sound in a small city (opens in a new tab)

  8. Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World

    … with music. Track 4 lets the professional musicians talk about their creative processes and how they are part of isness and shared intuitive headspaces when jamming through creating and playing music. Track 5 includes curriculum theorists and philosophers talking about how they see the …

    gsu Repository record for Jamming as a Curriculum of Resistance: Popular Music, Shared Intuitive Headspaces, and Rocking in the "Free" World (opens in a new tab)

  9. Lifelong learning in amateur chamber musicians

    … the peer-to-peer learning that occurs between amateur chamber musicians. Research on adult music opportunities focuses on nonformal settings such as community bands and group classes. Less attention has been paid to informal lifelong music learning, particularly the knowledge, skills, and …

    uiuc Repository record for Lifelong learning in amateur chamber musicians (opens in a new tab)