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Showing 1 to 16 of 16 for “"alto saxophone"”.

  1. Perpetual: For Alto Saxophone and Live Electronics

    … reflect the energy building up in the alto saxophone part in terms of pitch, timbre, and rhythmic intensity over the course of the piece. The saxophone part is a graphic score made up of short saxophone phrases and gestures connected using box notation. A single starting point at the …

    umkc Repository record for Perpetual: For Alto Saxophone and Live Electronics (opens in a new tab)

  2. The Preparation of a Graduate Eb Alto Saxophone Recital

    For years there has been a controversy about whether a person must be a good performer to be a good teacher. It is the writer's hypothesis that the musicianship developed in becoming a better performer will help one to become a better teacher.

    central-wash Repository record for The Preparation of a Graduate Eb Alto Saxophone Recital (opens in a new tab)

  3. An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's Sonate Pour Alto Saxophone Et Piano

    … lists from a variety of college and university saxophone instructors, the author has compiled a list of 180 works for alto saxophone and piano. Twenty-four well-known works of a difficulty-level appropriate for freshman and sophomore players are identified and annotated. Each annotation consists …

    unt Repository record for An Annotated Bibliography of Selected Repertoire for Alto Saxophone and Piano for Developing College-Level Alto Saxophonists, with an Analysis of Yvon Bourrel's Sonate Pour Alto Saxophone Et Piano (opens in a new tab)

  4. Alto saxophone mouthpiece pitch and its relation to jazz and classical tone qualities

    U of I Only Restriction set for Item 117864 on 2021-06-29T14:59:07Z with date by madinag@illinois.edu.

    uiuc Repository record for Alto saxophone mouthpiece pitch and its relation to jazz and classical tone qualities (opens in a new tab)

  5. A performer's and conductor's analysis of Ingolf Dahl's for Alto Saxophone and Wind Orchestra

    Ingolf Dahl’s Concerto for Alto Saxophone and Wind Orchestra was written in 1949 for the famous concert saxophonist, Sigurd Rascher and was then revised to its present state in 1953. The concerto, widely known by saxophonists and wind band conductors alike, is considered among the finest of …

    lsu-thes Repository record for A performer's and conductor's analysis of Ingolf Dahl's for Alto Saxophone and Wind Orchestra (opens in a new tab)

  6. Jujube

    … and jazz instrumental performing manner. The alto saxophone and trumpet blend jazz and Shanxi traditional music in melody; the trombone enriches with its deep tone; the piano offers intricate harmonies; the double bass provides a strong foundation with deep bass lines; the percussion merges …

    umkc Repository record for Jujube (opens in a new tab)

  7. Master's thesis recital (saxophone)

    … Villa-Lobos, arr. Liz Love -- Concerto for alto saxophone and wind orchestra / Ingolf Dahl

    texas Repository record for Master's thesis recital (saxophone) (opens in a new tab)

  8. Music for Saxophone and Harp: An Investigation of the Development of the Genre with an Annotated Bibliography

    … (1876-1963) composed the Scherzo, op. 67 for alto saxophone and double-action pedal harp. Since then, over 50 duos were written for various members of the saxophone family and the pedal harp, yet most of this repertoire is rarely performed and many artists are not yet aware of it. This …

    unt Repository record for Music for Saxophone and Harp: An Investigation of the Development of the Genre with an Annotated Bibliography (opens in a new tab)

  9. UNRAVEL: Acoustic and Electronic Resynthesis

    UNRAVEL, a work for alto saxophone and interactive electronics. Examines works for saxophone and electro-acoustic music. Analyzes modes of interactivity using Robert Rowe's guidelines, with sonogram, score, and programming examples. Investigates hybrid serial-parallel signal-processing networks, …

    unt Repository record for UNRAVEL: Acoustic and Electronic Resynthesis (opens in a new tab)

  10. BOOM!!! ...for Real!

    … Real! is a fifteen-minute chamber concerto for alto saxophone (doubling tenor) and mixed chamber ensemble. The paintings and techniques of three American expressionist painters—Cy Twombly, Franz Kline, and Jean-Michel Basquiat— influence the concerto. Three continuous movements connected by two …

    umkc Repository record for BOOM!!! ...for Real! (opens in a new tab)

  11. Timbre and tone-painting in the orchestration of a song cycle

    … While Summer Nights In Between for clarinet, alto saxophone, bass clarinet, double bass and piano is presented as an independent work, the song cycle for soprano and piano, Songs of Light and Loss, on five poems from Fiona Zerbst's “In Praise of Hotel Rooms,” was subsequently orchestrated as …

    cape-town Repository record for Timbre and tone-painting in the orchestration of a song cycle (opens in a new tab)

  12. Saxophone world premieres : research, collaboration and performance

    … genre towrite world premiere works for solo saxophone performance over a two year periodinvolved a great deal of thought and preparation. Further enhanced by a solo saxophoneand piano compact disc recording, this submission compromises:1. In League with Extraordinary Gentlemen Alto Saxophone

    salford Repository record for Saxophone world premieres : research, collaboration and performance (opens in a new tab)

  13. Crossroads of the Earth

    … quartet in five sections, set for flute/piccolo, alto saxophone, violoncello, and piano. My inspiration for this composition stemmed from the environmental awareness film 11th Hour which vividly portrays the adverse effects of humanity's historical disregard for the environment through compelling …

    umkc Repository record for Crossroads of the Earth (opens in a new tab)

  14. Performance portfolio : Matthew James McKay

    … the flautist. I also featured my work onpiccolo, alto flute, Native American flute and Didgeridoo. Parts of the piece requireextended techniques and employ novel recording and performance methods usingfound sounds and production techniques more commonly adopted in electroacousticmusic. The suite …

    salford Repository record for Performance portfolio : Matthew James McKay (opens in a new tab)