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Showing 1 to 5 of 5 for “"aesthetics of music"”.

  1. Music in Perspective

    This thesis seeks to explore how geometry, music, and architecture can all interweave with each other. Music is based on the harmonic ratios of geometry. These relationships can also be used to inform the geometries of architecture. As with the aesthetics of music, architecture, too, is not an …

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  2. Computational Approaches to Facilitate Automated Interchange between Music and Art

    … increase in generating and synthesizing music and art using various computational techniques. An area that is still under-researched, however, is how one medium can be converted into the other, while maintaining the overall aesthetics. Over the last few centuries, artists, composers, and …

    chapman Repository record for Computational Approaches to Facilitate Automated Interchange between Music and Art (opens in a new tab)

  3. Composing Care: The Aesthetics and Politics of Music Therapy in the Clinic

    This dissertation examines the care work of music therapists in North American hospitals. Based on sixteen months of fieldwork conducted between 2019 and 2020 in Canada and the United States, this ethnography investigates the clinical aesthetics of music therapy, or how music therapy is sensed and …

    york Repository record for Composing Care: The Aesthetics and Politics of Music Therapy in the Clinic (opens in a new tab)

  4. "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage

    … taste and personal expression through the course of the work. Drawing from the philosophical framework provided by Cage’s "Lecture on Nothing" (1950) and "Lecture on Something" (c. 1951-52), this thesis explores the aesthetic foundations of the concerto and examines Cage’s compositional …

    unt Repository record for "Marvelous Accidents": The Concerto for Prepared Piano and Chamber Orchestra of John Cage (opens in a new tab)

  5. Purely Sonorous: The Rhetoric of Sound in Twentieth-Century Music

    … aesthetic-hermeneutic tendency in discussions of twentieth-century and contemporary music: that of legitimating particular repertoires as exceptionally sound-oriented or sound-based—in contrast with other, usually older music, which is figured as subordinating sound to musical language. In this …

    cambridge Repository record for Purely Sonorous: The Rhetoric of Sound in Twentieth-Century Music (opens in a new tab)