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Showing 1 to 20 of 37 for “"acousmatic"”.

  1. Recurrence in acousmatic music

    … research concerns recurrent phenomena in acousmatic works, investigating aspects of correspondence among the constituent sound materials, illuminating the temporal relationships existing among them, and providing concepts to help rationalise compositional structuring processes. While the …

    city-london Repository record for Recurrence in acousmatic music (opens in a new tab)

  2. Acousmatic Storytelling: A compositional approach

    … explore the idea of relating storytelling with acousmatic music in the creation of a hybrid vehicle for transmitting stories, to develop a compositional methodology derived from the exploration of the synergy between storytelling techniques and acousmatic practice and to deliver works, which …

    de-montfort Repository record for Acousmatic Storytelling: A compositional approach (opens in a new tab)

  3. A portfolio of acousmatic compositions

    … of three years. The works it contains are all acousmatic; they investigate sonic material through articulation and gesture, and place emphasis on spatial movement through both stereophony and multi-channel environments. The portfolio is written as a personal journey, with minimal reference to …

    birmingham Repository record for A portfolio of acousmatic compositions (opens in a new tab)

  4. The Acousmatic Musical Performance: An Ontological Investigation

    … the following ontological question: what is an acousmatic musical performance? Chapter 1 discusses acousmatic sound – a fundamental constituent of the acousmatic musical performance – and considers ways in which acousmatic sounds are determined in advance of, and during, a performance. Chapter 2 …

    city-london Repository record for The Acousmatic Musical Performance: An Ontological Investigation (opens in a new tab)

  5. Spectral spatiality in the acousmatic listening context

    … of a spectral space consciousness in the acousmatic listening experience is highlighted, particularly with regard to more abstract acousmatic contexts where sounds do not directly invoke familiar source identities. Chapters Three and Four further elaborate aspects of spectral space …

    city-london Repository record for Spectral spatiality in the acousmatic listening context (opens in a new tab)

  6. A portfolio of electroacoustic and acousmatic compositions

    A portfolio of electroacoustic and acousmatic compositions realised through a variety of audio and audio-visual media, and with a particular emphasis on using speech as compositional material. The use of speech in compositions raises questions of political intent and responsibility, and these are …

    birmingham Repository record for A portfolio of electroacoustic and acousmatic compositions (opens in a new tab)

  7. Topology of spatial texture in the acousmatic medium

    … the dynamic fabric of experienced space in acousmatic music. The topology of spatial texture is a network of concepts treating music as a flexible, textural space, which deforms, shapes, and transforms in time. A comprehensive terminology is introduced, along with five fixed-media …

    city-london Repository record for Topology of spatial texture in the acousmatic medium (opens in a new tab)

  8. Exploring compositional relationships between acousmatic music and electronica

    … explores the compositional relationships between acousmatic music and electronica in order to offer a way of unifying the two musical forms. The original contribution to knowledge comes from the creation of a portfolio of compositions that extend the two idioms towards one another, resulting in a …

    de-montfort Repository record for Exploring compositional relationships between acousmatic music and electronica (opens in a new tab)

  9. A practical investigation of expectation in acousmatic music

    The experience of expectation within acousmatic music is regarded as problematic because the electronic mediation of sound permits and even encourages composers to combine and integrate sounds of widely varying origins that may carry equally divergent aesthetic implications. Because of this, the …

    de-montfort Repository record for A practical investigation of expectation in acousmatic music (opens in a new tab)

  10. Multi-form Visualisation: An approach to acousmatic composition

    … doctoral research addresses a critical issue in acousmatic composition: the journey from the immaterial world of sonic imagination to the realisation of musical sound. This was an exploratory journey, where my personal sensibility for visual arts practice met my curiosity and profound interest in …

    de-montfort Repository record for Multi-form Visualisation: An approach to acousmatic composition (opens in a new tab)

  11. Behind the curtain: composing acousmatic sounds and 3D CGI

    … project is to explore possible ways of combining acousmatic sounds with three-dimensional computer-generated imagery (3D CGI) so as to achieve balance between the two materials. Balance between sounds and images is a recurrent issue in audiovisual composition. This portfolio of works tackles this …

    de-montfort Repository record for Behind the curtain: composing acousmatic sounds and 3D CGI (opens in a new tab)

  12. Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music

    … the poietico-esthesic analysis of the folio of acousmatic compositions from the perspective of the reception behaviours framework. The intention of the reception behaviours framework is to illuminate those sounds and structures in electroacoustic music that could be perceived as carriers of …

    city-london Repository record for Materials, meaning and metaphor: Unveiling spatiotemporal pertinences in acousmatic music (opens in a new tab)

  13. A perceptual approach to the description and analysis of acousmatic music

    … It is argued that most existing theories of acousmatic music are closely tied to prescriptive rather than descriptive concerns, and concentrate upon intrinsic aspects of acousmatic music to the detriment of its extrinsic potential. In contrast to such approaches a method of description based …

    city-london Repository record for A perceptual approach to the description and analysis of acousmatic music (opens in a new tab)

  14. Materials, meaning and metaphor: Unveiling spatio-temporal pertinences in acousmatic music

    … the poietico-esthesic analysis of the folio of acousmatic compositions from the perspective of the reception behaviours framework. The intention of the reception behaviours framework is to illuminate those sounds and structures in electroacoustic music that could be perceived as carriers of …

    city-london Repository record for Materials, meaning and metaphor: Unveiling spatio-temporal pertinences in acousmatic music (opens in a new tab)

  15. Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text

    … who use techniques and workflows common to both acousmatic and electronica music. The pieces in this thesis are linked through a sustained commitment to working across these two musical contexts and through their relationships to source materials and pulses. Sound materials have been sampled from …

    arts-london Repository record for Inter-Piece Sampling and Convolution: Portfolio of 5.1 Acousmatic and Electronica Compositions, Interactive Diagrams and Text (opens in a new tab)

  16. The Secret Art of Science: An Aural-Based Analysis of Jonty Harrison's Acousmatic Work "Pair/Impair"

    This paper observes the problems that impede meaningful analysis of form and structure in modern music, specifically electronic music. The premise of this research is to present methods, tools and practice for analyzing music whose visual interpretation, if any, do not represent the aural result of …

    unt Repository record for The Secret Art of Science: An Aural-Based Analysis of Jonty Harrison's Acousmatic Work "Pair/Impair" (opens in a new tab)

  17. From Star Trek to Siri: (Dis)Embodied Gender and the Acousmatic Computer in Science Fiction Film and Television

    … I argue, may be understood as a paradoxically acousmatic character: a disembodied voice that is simultaneously embodied through non-humanoid computer-objects. Through psychoanalytic interpretations, historical contextualizations, and transtextual considerations, I show how representations of …

    siu-theses Repository record for From Star Trek to Siri: (Dis)Embodied Gender and the Acousmatic Computer in Science Fiction Film and Television (opens in a new tab)

  18. Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye

    … based on the movement of frequencies in the acousmatic medium, the relationships between traditional art music and acousmatic and popular music in the instrumental domain, and the interaction of sound and images in non-narrative works combining electroacoustic music with video.

    birmingham Repository record for Portfolio of compositions: (..) for solo tuba and off stage brass quartet : Raise your sticks and cry; on the Genealogy of Oneirology; In the eye (opens in a new tab)

  19. Portfolio of Compositions: compositions of indeterminacy and predeterminacy

    … using serial practices; and Satellites, and acousmatic work, all concerned with the use of indeterminacy or predeterminacy in either their composition or performance. The accompanying commentary describes the ideas behind and processes of creating these works, with an accompanying CD …

    birmingham Repository record for Portfolio of Compositions: compositions of indeterminacy and predeterminacy (opens in a new tab)

  20. Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces

    … research investigates the relationship between acousmatic music and instrumental music, using developments in 20th century western art music to define its context including the compositional practices of Arnold Schoenberg (d.1951), Claude Debussy (d.1918), Nikolai Roslavets (d.1944), Luigi Nono …

    oxford-brookes Repository record for Merging 20th Century Art Music and Pre-recorded Sound: 17 Pieces (opens in a new tab)

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