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Showing 1 to 19 of 19 for “"Women's Poetry"”.

  1. Medea in Victorian Women's Poetry

    … movement. As Victorians began to question women’s rights and capabilities, Medea’s story resurfaced as a cautionary tale showing the damage that occurs when women repress and shape their identities to fit uncompromising social expectations for their gender. In this thesis, I examine two …

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  2. Scottish Gaelic women's poetry up to 1750

    … a detailed study of all the poems composed by women up to 1750, but rather to find the threads which linked them to each other. These threads are mainly thematic, although others, such as the songs connected with a story, cross a thematic range while sharing a common link. The spectrum of …

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  3. Religion and Proto-Feminism in Victorian Women's Poetry

    This thesis analyzes the Victorian women poets Christina Rossetti, Elizabeth Barrett Browning, and Amy Levy and their use of religion in their proto-feminist works, “Goblin Market” (Rossetti), the verse novel Aurora Leigh (Barrett Browning), and the dramatic monologues “Xantippe,” (1881) …

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  4. House and home in late Victorian women's poetry

    … of ‘house’ and ‘home’ in late Victorian women's poetry. However, it also takes account of the biographical, historical and ideological significance of the house, looking at factors which may have helped to shape each poet's representations of ‘house and home’.The house occupies an …

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  5. Papatuanuku's Progeny: Foremothers of Maori Women's Poetry Written in English

    … is to investigate and archive the lives and poetry of the first Māori women poets who published in English. These seven foremothers of poetry, Papatūānuku’s Progeny, are taonga (treasures) and emerged from the late 1970s. They are Vernice Wineera (Ngāti Toa Rangatira, Ngāti Raukawa), Evelyn …

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  6. Moments of brocade: The aesthetics of excess in American women's poetry

    … the study is to offer a new way to read certain women poets whom readers have regarded as flawed by various stylistic and thematic excesses. Instead of thinking of excess as a weakness, I take it to be a deliberate aesthetic strategy for overcoming the limitations that the dominant literary …

    uiuc Repository record for Moments of brocade: The aesthetics of excess in American women's poetry (opens in a new tab)

  7. Lines of Feeling: Modernist Women's Poetry and the Limits of Sentimentality

    Modernist sentimental poetry is frequently cast as an unfortunate literary and cultural mistake. In an era defined by its novel feats of poetic ambition, modernist sentimental poetry seems inexplicably to regress to the familiar forms and feelings of the nineteenth century. Alongside the modernist …

    uiuc Repository record for Lines of Feeling: Modernist Women's Poetry and the Limits of Sentimentality (opens in a new tab)

  8. The Pursuit of Divinity: Religious Faith and Fear in Late Victorian Women's Poetry

    The relationship that the Victorians had with their God(s) was not an easy one. Despite the age's oft mocked attachment to religiosity, many individuals underwent profound re-evaluations of their faith, spurred by the combined forces of legislation that challenged the monolithic Anglican Church and …

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  9. Museum-Making in Women's Poetry: How Sylvia Plath and Emily Dickinson Confront the Time of History

    … these two times manifest themselves in the poetry of perhaps the two most canonical American women poets, Sylvia Plath and Emily Dickinson. In the corpus of each, I find a common mode of operation that attempts to reconcile man's and woman's time, to varying degrees of success. Emily …

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  10. In the Voices of Men, Beasts, and Gods: Unmasking the Abject Persona in Postwar and Contemporary Japanese Women's Poetry

    … the works of contemporary and postwar Japanese women poets Ishigaki Rin: 1920-2004), Tomioka Taeko: b. 1935), Yoshihara Sachiko: 1932-2002), It├┤ Hiromi: b. 1955), and Isaka Yok├┤: b. 1949). Recognizing the strong sense of abjection that permeates postwar and contemporary Japanese poetry in …

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  11. Hacia una poetica feminista Latino Americana: Ana Maria Rodas, Maria Mercedes Carranza y Gioconda Belli

    … ways in which three contemporary Latin American women--Ana Maria Rodas from Guatemala, Maria Mercedes Carranza from Colombia, and Gioconda Belli from Nicaragua--deal with the traditional concept ""Woman"" in their poetry. Analysis of their textual responses to that concept shows a rejection of …

    uiuc Repository record for Hacia una poetica feminista Latino Americana: Ana Maria Rodas, Maria Mercedes Carranza y Gioconda Belli (opens in a new tab)

  12. Unsex'd Women: The Politics of Transgression in the Poetry of Anna Laeticia Barbauld and Charlotte Smith.

    … revisions of Romanticism which seek to include women writers in that movement, the women poets writing at the end of the eighteenth century remain marginalised, both in our understanding of Romanticism and as literary figures in their own right. This is partly due to the problems which arise …

    lancaster Repository record for Unsex'd Women: The Politics of Transgression in the Poetry of Anna Laeticia Barbauld and Charlotte Smith. (opens in a new tab)

  13. The poetic oeuvre of 'Michael Field': Collaboration, aestheticism and desire in the writings of Katharine Harris Bradley (1846 - 1914) and Edith Emma Cooper (1862 - 1913)

    … in the lives and writings of nineteenth-century women poets, many of whom had been forgotten or ignored for the greater part of the twentieth century. From the 1970s onwards there has been a steady increase of articles, monographs and critical editions which have sought to reclaim and reinstate …

    hull Repository record for The poetic oeuvre of 'Michael Field': Collaboration, aestheticism and desire in the writings of Katharine Harris Bradley (1846 - 1914) and Edith Emma Cooper (1862 - 1913) (opens in a new tab)

  14. A genre revised in the epic poetry of H.D. and Gwendolyn Brooks

    In the canon of twentieth century American poetry, "long poems" or "anti-epics" or epic poems represent a formidable genre. Defining epic poetry has proved difficult in our modern era, and the possibility that women might write epics is not often considered. This study includes a review of the …

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  15. Written gardens revisited: Gender and women’s garden poetry in late Imperial China

    Submission published under a 24 month embargo labeled 'Closed Access', the embargo will last until 2026-05-01

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  16. Other: Poems

    … reflect my study of the aesthetics of poetry as well as that of how women are represented as poets and as the subject of poems. Some of these poems are the product of my particular interest in the use of persona. Most reflect my desire to achieve self-reflection, to write from my …

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