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Showing 1 to 4 of 4 for “"Wharton, Edith, 1862-1937."”.

  1. Irony in the novelettes of Edith Wharton.

    … this study, entitled "Irony in the Novelettes of Edith Wharton," is to show that as a conscious stylist Mrs. Wharton imbued with a framework of irony the eight novelettes discussed. The individual works are Sanctuary, Madame de Treymes, The Marne, Ethan Frome, False Dawn, The Old Maid, The Spark, …

    baylor Repository record for Irony in the novelettes of Edith Wharton. (opens in a new tab)

  2. Edith Wharton's treatment of marriage.

    … style and setting and the continuity of theme in Edith Wharton's fiction. Her treatment of marriage and divorce is used as the basis for comparison. Several themes are traced through her work and their possible relation to her own life is indicated. The most important themes are the underlying …

    baylor Repository record for Edith Wharton's treatment of marriage. (opens in a new tab)

  3. Silencing and silenced women in Edith Wharton's non-ghost short stories.

    … career spanning more than fifty years (1885 to 1937), Edith Wharton portrayed American women weathering a tremendous sea change in society's expectations of them. In the 1960s the unsealing of Wharton's personal papers encouraged scholars to assign new value to Wharton's short fiction. Focusing …

    baylor Repository record for Silencing and silenced women in Edith Wharton's non-ghost short stories. (opens in a new tab)

  4. Reality and imagination: the authorial decisions of May Welland Archer and Emma Woodhouse

    … and heavy for her fragile shoulders to endure. Edith Wharton, in The Age of Innocence, and Jane Austen, in Emma challenge this ideal picture by creating their respective heroines, May and Emma, to be the exact opposite of it. Though May constantly acts like the ideal woman mentioned earlier, she …

    eastern-wash Repository record for Reality and imagination: the authorial decisions of May Welland Archer and Emma Woodhouse (opens in a new tab)