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Showing 1 to 2 of 2 for “"Vocal music -- Italy -- 17th century -- History and criticism."”.
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Reconsidering the Lament: Form, Content, and Genre in Italian Chamber Recitative Laments: 1600-1640
… transitional phenomenon between madrigal laments and laments organized on the descending tetrachord bass. However, the recitative lament is distinguished from them by its characteristic attitude toward the relationship between music and text. Composer of Italian chamber recitative laments …
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A history of the Venetian sacred solo motet (c. 1610--1720).
In 17th century Italy, the trend toward small sacred concertato forms precipitated the publication of a number of volumes devoted exclusively to sacred solo vocal music. Several of these, including the Ghirlanda sacra (Gardano, 1625) and Motetti a voce sola (Gardano, 1645) contain sacred solo …