Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 6 of 6 for “"Vivian Sobchack"”.
-
A strange mirror : realism, ambiguity and absence in the work of Harmony Korine
… of affect forwarded by such theorists as Vivian Sobchack and Laura U. Marks, as well as theories of the grotesque. In addition, my thesis extends the links that Bazin draws between the restraint defining phenomenological realism and a productive ambiguity to argue that, rather than …
-
Between the norm and a hard place: representing marginality in Harmony Korine's Gummo
… gender theorist Judith Butler and film theorist Vivian Sobchack. Chapter one engages with Bhabha's ideas about cultural hybridity, seeking to demonstrate how Gummo represents marginality as a decidedly heterogeneous affair, one that blurs all clear notions of centre and margin. Chapter two …
-
Radiant Sites: Projection and the Mobile Spectator in Contemporary Moving-Image Installations
… as conceived by phenomenological film theorist Vivian Sobchack. By observing their similarities to the common multiplex, art house, or even living rooms, these otherwise uprooted screens reveal in fleeting flickers traces of what we might intuitively call “the cinematic.”</p>
-
Phenomenology, Film and Curriculum Theory: An Inquiry into the Intellectual Persona of Teachers
… perspective of Maurice Merleau-Ponty and Vivian Sobchack to examine how teachers physically and mentally react to representations of teachers and teaching as selected films depict them. I considered how the teachers' embodiment of film played a part in guiding them to deeper discussions …
-
Mourning, materiality and the feminine: Sarah Pucill’s films 2004-2010
… sound that is the materiality of the unpolished. Vivian Sobchack (The Address of the Eye: A Phenomenology of Film Experience, 1992), Sobchack (Inscribing Ethical Space: Ten Propositions on Death, Representation and Documentary, 1984) Laura U. Marks (The Skin of the Film: Intercultural Cinema, …
-
Uncovering the Address of the Eye: The Unconscious as Consciously Experienced in Tarkovsky’s <em>Mirror</em>
… framework to Mirror’s vision, this paper extends Sobchack’s film-subject model to the film’s unconscious domain, arguing for the ineluctable presence of the Narrator’s unconscious as latent in Its viewing trend. Moreover, given the material congruity of the film and the viewer in their film …