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Showing 1 to 13 of 13 for “"Visual Style"”.

  1. Videoclip “Quiero” - Cruzcaiman: experiencia de realización audiovisual

    … was elaborated with the goal of establishing a visual style for the group and as a broadcast medium for the band’s first single. In regards to the client’s requirements, they solicited that a conceptual and artistic vision prevails throughout the project instead of a merely narrative one.

    lima Repository record for Videoclip “Quiero” - Cruzcaiman: experiencia de realización audiovisual (opens in a new tab)

  2. Mom's Money: A Dark Comedy

    … and directed. My influences on the story and visual style of the film will be discussed as well as my prior work and the way those combined forces drew me to make this film. Breaking this into the three stages of filmmaking- Production, Pre-Production and Post Production- I will explore the …

    sfasu Repository record for Mom's Money: A Dark Comedy (opens in a new tab)

  3. "Jamaican Funk - Canadian Style":Diasporic Dialogue and Hybridized Identity in the Music of Michie Mee

    … “Run For Cover” and “Jamaican Funk: Canadian Style,” to 2012’s “Bahdgyal Bubble,” Michie Mee has promoted a strong Jamaican identity within her lyrical and visual style. By using theories of hybridity and third space, my thesis investigates Michie Mee’s articulation of a recognizable hybrid …

    carleton Repository record for "Jamaican Funk - Canadian Style":Diasporic Dialogue and Hybridized Identity in the Music of Michie Mee (opens in a new tab)

  4. The Designer's Story: filmmaking from the perspective of the production designer

    … of photography. They create the environment and visual style for the story to take place in. As head of the art department they oversee the realization of their designs creating real and imagined worlds for the screen. The deployment of screen space is often physically and emotionally essential …

    westminster

  5. Visualising the migrant’s experience : one woman’s story

    … Recognising the limitations of my previous visual style, I sought to develop photographic practices that would do justice to the experience of these women. My central research question therefore focuses on the extent to which an artist can develop a new artistic vision and sensibility and …

    salford

  6. The Blue Lights: Stories

    … vary stylistically, The Blue Lights relies on a visual style heavy in its employment of metaphor and lyricism, emphasizing alliterative diction and an elliptical syntax to view unglamorous characters in moments of crisis. The stories are meant to convey the feeling of real life in that these …

    nodak Repository record for The Blue Lights: Stories (opens in a new tab)

  7. Cityscapes of exclusion: representation of the favela, favelados and figures of authority with specfic reference to cidade de deus

    … I discuss the relationship between the film's visual style and socio-potitical messages that it communicates in order to argue that Cidade de Deus employs what I would describe as an aesthetics of exclusion. Some critics have argued that Meirelles and Lund's film exploits the favelados of CidSe …

    cent-lancashire Repository record for Cityscapes of exclusion: representation of the favela, favelados and figures of authority with specfic reference to cidade de deus (opens in a new tab)

  8. The political life of a chair: the Chaise Sandows in interwar France

    … of individual decorators, encouraged a sleek visual style, and aligned steel decoration with a specific form of French imperialism. This investigation not only reexamines Herbst's career but considers the individuals and tools that formed the steel and rubber, the people who purchased a Chaise …

    udel Repository record for The political life of a chair: the Chaise Sandows in interwar France (opens in a new tab)

  9. The Screenplays and Films of Lawrence Kasdan

    … approach, establishing how Kasdan adapted his visual style to present the contrasting narratives of his first two films as writer-director, Body Heat (1981) and The Big Chill (1983). Chapter four interrogates Kasdan’s position as the ‘archetypal’ baby-boomer filmmaker, examining the values …

    de-montfort Repository record for The Screenplays and Films of Lawrence Kasdan (opens in a new tab)

  10. The chronotope of walking in the films of Andrea Arnold

    … theories of haptic cinema to examine Arnold’s visual style, combined with a reading of Michel de Certeau whose work emphasises walking as a form of tactile, urban remapping. From this, a new way of interpreting women and walking emerges, and the term ‘haptic flâneuse’ is proposed to describe …

    wlv Repository record for The chronotope of walking in the films of Andrea Arnold (opens in a new tab)

  11. 'Any Name That Has Power': The Black Panthers of Israel, the United Kingdom, and the United States, 1948-1977

    … Panthers' anti-imperialist politics, militant visual style, grassroots strategies, and community programs appealed within and beyond the United States. Between 1967 and 1972, people of color struggling under class and ethnic oppression in six countries outside the United States formed Black …

    duke Repository record for 'Any Name That Has Power': The Black Panthers of Israel, the United Kingdom, and the United States, 1948-1977 (opens in a new tab)

  12. The Analysis of the Shonen Protagonist and Aragoto Warrior: The Eternal Strength of Boyhood

    <p>This paper is a breakdown of various visual and narrative elements of Kabuki and Anime, using the example of <em>Yoshitsune Senbon Zakura</em>, and <em>One Piece</em>. There is a broad overview of both Kabuki and Anime discussing their various tropes and styles. Following this introduction is a …

    columbus-state Repository record for The Analysis of the Shonen Protagonist and Aragoto Warrior: The Eternal Strength of Boyhood (opens in a new tab)

  13. Embodied Pedagogical Agents: From Visual Impact to Pedagogical Implications

    Embodied pedagogical agents – visually represented, computer generated characters in pedagogical roles, such as virtual instructors, mentors and learning companions – populate the digital society in increasing numbers. They are found in educational programmes from preschool to university, as well …

    lund Repository record for Embodied Pedagogical Agents: From Visual Impact to Pedagogical Implications (opens in a new tab)