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Showing 1 to 6 of 6 for “"Viceregal"”.

  1. The viceregal homiletic: an appropriation of G.K. Beale's Christian viceregency for theological consideration of Christian preaching

    … concept of viceregency and summarily titled "the viceregal homiletic", is a new and distinct model for homiletical reflection. The viceregal homiletic's distinctiveness lies in its critical choice and development of G.K. Beale's understanding of Christian viceregency into an image for which to …

    middlesex Repository record for The viceregal homiletic: an appropriation of G.K. Beale's Christian viceregency for theological consideration of Christian preaching (opens in a new tab)

  2. The Miserere Tradition from the Cathedral of Santiago de Guatemala

    … source of these works in the former Spanish viceregal territories. The study of over 50 extant manuscripts, spanning from the late sixteenth to the early nineteenth century, reveals a dynamic local musical culture characterized by pragmatism, agency, and creative adaptation amidst significant …

    arizona-thes Repository record for The Miserere Tradition from the Cathedral of Santiago de Guatemala (opens in a new tab)

  3. CREATING SPACES OF THIRD GENDER IN EIGHTEENTH-CENTURY NEW SPAIN: REPRESENTATIONS OF GENDER IN PORTRAIT PRINTS OF MEXICAN COLONIAL NUNS

    … roles typically unavailable to women in the Viceregal era. To accomplish these undertakings, nuns gave up their femininity, including the standard colonial role for females as wife and mother. As nuns, these women struggled to shed their unholiness through prayer, reflection, and penance. …

    unm Repository record for CREATING SPACES OF THIRD GENDER IN EIGHTEENTH-CENTURY NEW SPAIN: REPRESENTATIONS OF GENDER IN PORTRAIT PRINTS OF MEXICAN COLONIAL NUNS (opens in a new tab)

  4. Te, Joseph, celebrent: An examination and guide to Manuel de Sumaya’s works for the feast of St. Joseph at the Cathedral of Mexico City, 1714-1715

    … Sumaya’s music making in its national and viceregal music context. The music is unpublished, un-transcribed, or otherwise difficult to find in performance editions, so it has previously seen very little scholarly attention. The dissertation includes a study of celebratory prescriptions for …

    uiuc Repository record for Te, Joseph, celebrent: An examination and guide to Manuel de Sumaya’s works for the feast of St. Joseph at the Cathedral of Mexico City, 1714-1715 (opens in a new tab)

  5. Native Andeans in the frontier city: A new conquest history of urban Peru, 1535-1700

    … By examining ongoing spatial conflicts in the viceregal capital and most important city in Spain’s South American empire, this dissertation offers a new conquest history of Peruvian urban centers. The goal of this project is twofold: to elucidate and evaluate the efficacy of spatial strategies …

    uiuc Repository record for Native Andeans in the frontier city: A new conquest history of urban Peru, 1535-1700 (opens in a new tab)

  6. Francisco de Zurbarán and his Workshop's Painting Production for the Americas: Trade, Collections and Reception

    Paintings by the Spanish seventeenth-century artist Francisco de Zurbarán (1598-1664) have been documented to have reached Latin America between 1636 and 1649. Zurbarán was mostly active in Seville, the main Spanish port to the Americas during his lifetime, which was a considerable advantage as he …

    cambridge Repository record for Francisco de Zurbarán and his Workshop's Painting Production for the Americas: Trade, Collections and Reception (opens in a new tab)