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Showing 1 to 6 of 6 for “"Vase-painting"”.
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The Evocation of Cult in Attic Black-Figure Vase-Painting
… and ritual activity are evoked in black-figure vase-painting. Three gods, Apollo, Dionysos, and Poseidon, were analysed with the aim of ascertaining to what extent and in what ways the cults of the archaic period may have influenced the vase-painters and their construction of the deities. The …
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The rendering of landscape in Greek and South Italian vase painting
<p>Greek vase painting of the archaic and classical periods emphasized purity of line and draughtsmanship characteristic of the engraver’s art rather than of painting. The lines in vase painting were made with incision or glaze, either diluted or undiluted. Each method produced a unique effect. The …
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Decoding Meaning in Athenian Vase-Painting of the Archaic and Classical Periods: A Study of Expressions of Communication and Targeted Audiences
… study advances our understanding of Athenian vase-paintings of the Archaic and Classical periods by examining scenes of communication from two perspectives: how communication is expressed within depictions of multi-figure scenes and how messages are encoded through the vase to the viewer. I …
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Jean Auguste Dominique Ingres' Jupiter and Thetis
The painting of Jupiter and Thetis was to be Ingres' vindication against previously hostile critics and the ultimate proof of his stature as a history painter. A definitive work in his oeuvre, it synthesizes all the intellectual, stylistic and visual influences to which he had so far been exposed. …
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The Etruscan Aphrodite
… the world of Etruscan women. In Etruscan vase painting, images of Turan are found in scenes of the Judgement of Paris and Aphrodite and Adonis as well as in depictions with the greater Greek pantheon but represent only one segment of a diverse array of mythological themes. An examination …
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Painted and decorated floors on the Greek mainland and Crete in the Bronze age
… stone slabs set with red painted grout, by painting and incising the stucco floor surface with a grid of red stripes which bordered patterned and colored squares. These patterns, most of which have their roots in Minoan prototypes, were imitative of the veining of marble and other stone. The …