Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 7 of 7 for “"Val Plumwood"”.
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Invisible Woman
… within feminism. In the second section, I use Val Plumwood and Karen J. Warren’s versions of ecofeminist philosophy to show how working class women are again absent. Were ecofeminists to include working class women, specifically rural folks and farmers, the idea of attunedness to the land could …
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Invisible Woman
… within feminism. In the second section, I use Val Plumwood and Karen J. Warren’s versions of ecofeminist philosophy to show how working class women are again absent. Were ecofeminists to include working class women, specifically rural folks and farmers, the idea of attunedness to the land could …
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A Posthumanist Study of Health and the Food System: Vegetal Politics in Toronto Urban Gardens in the Anthropocene
… and nature, identified by scholars including Val Plumwood and Donna Haraway, and considers human health and the food system in the Anthropocene. I draw on posthumanist theory to investigate what happens to understandings of food systems and health if the ontological dualism in Euro-Western …
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Empire and the animal body: violence, ecology and identity in the imperial romance
… as one permeable at many points and follow Val Plumwood in delineating a selfhood ultimately in relation to, rather than separated from, the other and radically divergent from dualistic, colonial conceptualisations of human identity.
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COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME
In this thesis I use ecofeminist environmental ethics and phenomenological place theory to examine the sense of place created by Molly Gloss in The Dazzle of Day (1997) and by Ursula K. Le Guin in Always Coming Home (1985). Ecofiction narratives, such as Dazzle and Always, are particularly …
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COMMUNITY, BODY, AND LANDSCAPE: CONSTRUCTION OF PLACE IN MOLLY GLOSS’S THE DAZZLE OF DAY AND URSULA K. LE GUIN’S ALWAYS COMING HOME
In this thesis I use ecofeminist environmental ethics and phenomenological place theory to examine the sense of place created by Molly Gloss in The Dazzle of Day (1997) and by Ursula K. Le Guin in Always Coming Home (1985). Ecofiction narratives, such as Dazzle and Always, are particularly …