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Showing 1 to 20 of 30 for “"Twelve-Tone"”.

  1. Twelve-Tone Identity: Adorno Reading Schoenberg through Kant

    Theodor Adorno’s view of Arnold Schoenberg can be seen in light of his criticism of Immanuel Kant. Critiquing Kant’s concept of Enlightenment and his dualist philosophy, Adorno also critiques common misconceptions about Kant's work in bourgeois society. Similarly, in Schoenberg's oeuvre Adorno …

    ottawa-retro Repository record for Twelve-Tone Identity: Adorno Reading Schoenberg through Kant (opens in a new tab)

  2. Twelve-tone Techniques in a Work for Guitar by Milton Babbitt

    <p>For Milton Babbitt, twelve-tone techniques are indispensible in the compositional process. One of his works for guitar, entitled Sheer Pluck (Composition for Guitar), is a remarkable exemplar of such techniques, yet is largely overlooked in the analytical literature. Babbitt's piece utilizes an …

    south-carolina Repository record for Twelve-tone Techniques in a Work for Guitar by Milton Babbitt (opens in a new tab)

  3. Aspects of Pitch Emphasis in Some Twelve-Tone Works of Arnold Schoenberg.(with Original Composition) 'Divisions for Small Orchestra'

    Made available in DSpace on 2014-12-09T19:39:37Z (GMT). No. of bitstreams: 1 6406149.pdf: 7534979 bytes, checksum: eb8a958a3b38e3f4fe85cfcae3ee793a (MD5) Previous issue date: 1963

    uiuc Repository record for Aspects of Pitch Emphasis in Some Twelve-Tone Works of Arnold Schoenberg.(with Original Composition) 'Divisions for Small Orchestra' (opens in a new tab)

  4. 1. Variation as formal design and twelve-tone procedure in the 'Third String Quartet' by Arnold Schoenberg. 2. Fantasy Variations (original composition)

    Made available in DSpace on 2014-12-09T19:40:01Z (GMT). No. of bitstreams: 1 6808088.pdf: 12524467 bytes, checksum: 750597c6ff5ba5b2d9e2f84e03627441 (MD5) Previous issue date: 1967

    uiuc Repository record for 1. Variation as formal design and twelve-tone procedure in the 'Third String Quartet' by Arnold Schoenberg. 2. Fantasy Variations (original composition) (opens in a new tab)

  5. 12 Degrees of Alienation: A Socio-Political Exploration of Hanns Eisler's Use of the Twelve-Tone Method during Exile (1938-1948)

    … prominent students and a master of his twelve-tone technique, is arguably one of the most important composers of the twentieth century. However, Eisler’s contribution to modern music in both Germany and North America has been, until recently, overshadowed by political controversy. It is …

    calgary Repository record for 12 Degrees of Alienation: A Socio-Political Exploration of Hanns Eisler's Use of the Twelve-Tone Method during Exile (1938-1948) (opens in a new tab)

  6. Jishin

    … written for full orchestra, based on a twelve-tone row. The twelve-tone row is structured such that it contains only two musical intervals (perfect 5 th , major 3 rd ). Due to the nature of the row, various transpositions of the row can be used to form what seems to be a never ending …

    rice Repository record for Jishin (opens in a new tab)

  7. An analytical study of selected chamber works

    … to move away from tonality, until 1936, when his twelve-tone technique had been firmly established.

    cape-town Repository record for An analytical study of selected chamber works (opens in a new tab)

  8. Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World

    Wladimir Vogel's (1896-1984) interest in twelve-tone composition began to develop in 1936 after hearing a series of lectures by Willi Reich, a music critic and supporter of the new music of the Second Viennese School. The transition for Vogel from a large-scale orchestral “classical” style, …

    unt Repository record for Consonance, Tertian Structures and Tonal Coherence in Wladimir Vogel's Dodecaphonic World (opens in a new tab)

  9. Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke

    … on the Gedanke principle for his atonal and twelve-tone repertoires. This study reevaluates Schoenberg's compositional philosophy and aesthetics including Gedanke, comprehensibility, Grundgestalt, and developing variation in light of his compositional practices in Begleitungsmusik zu einer …

    unt Repository record for Op. 34: Evidence of Arnold Schoenberg's Musikalische Gedanke (opens in a new tab)

  10. A construção do discurso musical de três estudantes na peça Dois Movimentos para Clarinete Solo, de Estercio Marquez Cunha

    … of clarinet player musical discourse in a twelve-tone piece by a brazilian/goiano composer. It was intended to investigate how the clarinet player constructed their musical discourses in this post-tonal piece, understanding the meaning of the construction process of the musical discourse by …

    brazil-ufba Repository record for A construção do discurso musical de três estudantes na peça Dois Movimentos para Clarinete Solo, de Estercio Marquez Cunha (opens in a new tab)

  11. An analysis of Joan Tower's solo keyboard works.

    … where serial music predominates, I discussed twelve-tone row forms and contemporary keyboard techniques as found in two works, Circles and Fantasia. In her second period, I discussed these characteristics: one movement structures, her organic approach to composition, and her use of motivic …

    ballstate-thes Repository record for An analysis of Joan Tower's solo keyboard works. (opens in a new tab)

  12. Schoenberg's <i>"Phantasy"</i> Form

    … mirror each other to create a paradigm of the twelve-tone system. This dissertation explores Schoenberg’s <em>Phantasy </em>as his fantasy four-part symmetrical ABB<sup>1</sup>A<sup>1</sup> design within a heroic form (albeit relatively short). This ABB<sup>1</sup>A<sup>1</sup> design …

    cuny-grad Repository record for Schoenberg's <i>"Phantasy"</i> Form (opens in a new tab)

  13. "Combination -Interval Cycles in Igor Stravinsky's ""Canticum Sacrum"""

    … specifically the relationship between the two twelve-tone series employed in the middle three movements. Two disparate investigations eventually led to the formulation of a pair of ""ladder of thirds"" combination-interval cycles. The ""basic"" combination cycle is a straight chain of (0134) or …

    uiuc Repository record for "Combination -Interval Cycles in Igor Stravinsky's ""Canticum Sacrum""" (opens in a new tab)

  14. The Tradition of Microtonal Guitar on the American West Coast

    … generations of composers to work outside of twelve-tone equal temperament (12tet). This project begins by examining the early trailblazers of music education and composition in California who sought to rearticulate the fundamentals of music. Two substantial sources that influenced new musical …

    claremont Repository record for The Tradition of Microtonal Guitar on the American West Coast (opens in a new tab)

  15. The Oboe Works of Isang Yun

    … traditional music, Yun's treatment of musical tones as living entities developed into a practice he called Hauptton technique. Adeptly fusing this technique with European twelve-tone procedure, Yun produced music of great intensity and richness. Works examined in detail include: Piri (1971); …

    uiuc Repository record for The Oboe Works of Isang Yun (opens in a new tab)

  16. Claude Debussy: Harmonic Innovations in Historical and Musical Context

    … atonal application in the creation of the twelve-tone method, other composers forged toward alternatives by creatively reshaping tonality. Claude Debussy (1862-1918) developed a new treatment of tonality that would remove "the fixed need for chordal or intervallic resolution, this open …

    columbus-state Repository record for Claude Debussy: Harmonic Innovations in Historical and Musical Context (opens in a new tab)

  17. Brightside for Orchestra

    … are built from contrasting materials including twelve-tone collections and octatonic scales. I also used timbral contrast to enhance the form, reworking ideas from the Baroque concerto grosso. The ritornellos generally make use of the orchestral tutti and the episodes focus on particular …

    toronto-retro Repository record for Brightside for Orchestra (opens in a new tab)

  18. Concerto for violoncello and orchestra. (Original composition);

    … of more fundamental importance than his famous twelve-tone technique. The Grundgestalt of the Concerto is represented by the motive C sharp - F sharp - C natural, with F sharp as the tonal center and a primary conflict existing between the tritone and perfect fifth "dominants."

    rice Repository record for Concerto for violoncello and orchestra. (Original composition); (opens in a new tab)

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