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Showing 1 to 4 of 4 for “"Trilby"”.

  1. Le malheur et le bonheur dans ‘Jean Sbogar’, ‘Smarra’, ‘Trilby’, et ‘La fée aux miettes’ de Charles Nodier

    … ‘Smarra ou Les Démons de la nuit’ (1821), ‘Trilby ou Le Lutin d'Argail ‘ (1822) et ‘La Fée aux Miettes’ (1832). A fur et à mesure que nous progressons, nous faisons allusion aussi a quelques articles de Nodier, à savoir « Du fantastique en littérature », « De quelques phénomènes du sommeil …

    malta Repository record for Le malheur et le bonheur dans ‘Jean Sbogar’, ‘Smarra’, ‘Trilby’, et ‘La fée aux miettes’ de Charles Nodier (opens in a new tab)

  2. Stage Hypnosis in the Shadow of Svengali: Historical Influences, Public Perceptions, and Contemporary Practices

    … introduced in George du Maurier’s1894 novel, <i>Trilby</i>, may have helped shape such perceptions. Third, does the relationship between contemporary practice and public perceptions matter to stage hypnosis as a performance phenomenon? To answer this, I interview volunteer performers and stage …

    ohiolink Repository record for Stage Hypnosis in the Shadow of Svengali: Historical Influences, Public Perceptions, and Contemporary Practices (opens in a new tab)

  3. Genetic and Environmental Contributions to Baseline Cognitive Ability and Cognitive Response to Topiramate

    <p>Although much research has focused on cognitive ability and the genetic and environmental factors that might influence it, this aspect of human nature is still far from being well understood. It has been well-established that certain factors such as age and education have significant impacts on …

    duke Repository record for Genetic and Environmental Contributions to Baseline Cognitive Ability and Cognitive Response to Topiramate (opens in a new tab)

  4. Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature

    … career, and DuMaurier’s fin-de-siècle heroine Trilby; in both of these cases outside forces are believed to control the power inherent in these women’s musical performance. The final chapter moves on to the late century musical comedies of Gilbert and Sullivan, in which the low voice characters …

    umn Repository record for Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature (opens in a new tab)