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Showing 1 to 8 of 8 for “"Titian"”.

  1. Melancholy Figures: From Bosch to Titian

    … artist's oeuvre. Chapter Five has at its focus Titian's Flaying of Marsyas and the artist's self-inclusion in the guise of the melancholy Midas. As a conclusion, this chapter reflects on the personal significance of melancholy for Renaissance artists.

    columbia-diss Repository record for Melancholy Figures: From Bosch to Titian (opens in a new tab)

  2. Optimality of human acoustic perception of natural sounds, and violin acoustics elucidated with a non-corporeal musical instrument made by fully air-coupled finite-element-modeling of the Titian Stradivarius

    … a fully air-coupled finite-element-modeled Titian Stradivarius violin employing CT-scan reconstruction. The non-corporeal instrument is trained to play the first two measures of the Sonata No. 1 in G-minor, BWV 1001: II. Fuga. Allegro by Bach, using a constrained optimization approach. The …

    mit Repository record for Optimality of human acoustic perception of natural sounds, and violin acoustics elucidated with a non-corporeal musical instrument made by fully air-coupled finite-element-modeling of the Titian Stradivarius (opens in a new tab)

  3. THE CONSTRUCTION OF THE LATE-RENAISSANCE INDIVIDUAL

    … Dürer, Sofonisba Anguissola, Lavinia Fontana, Titian and Parmigianino will be analyzed, in order to better understand these various types of presentations.

    uwo Repository record for THE CONSTRUCTION OF THE LATE-RENAISSANCE INDIVIDUAL (opens in a new tab)

  4. A CREATIVE AND PRACTICE BASED INVESTIGATION INTO THE POSSIBILITIES FOR CONTEMPORARY DRAWING AND PAINTING, WHICH IS INFORMED BY PERCEPTUAL EXPERIENCES OF THE NATURAL WORLD

    … District) and research into the paintings of Titian (at the National Gallery). Drawings were made during fieldwork, in response to the sights, sounds and sensations of natural phenomena. The physical engagement; the perceptions and sensations of the experience, informed the process of creative …

    de-montfort Repository record for A CREATIVE AND PRACTICE BASED INVESTIGATION INTO THE POSSIBILITIES FOR CONTEMPORARY DRAWING AND PAINTING, WHICH IS INFORMED BY PERCEPTUAL EXPERIENCES OF THE NATURAL WORLD (opens in a new tab)

  5. Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy

    … made by Giorgione, Sebastiano del Piombo, and Titian. Finally, a case study of the Venetian painters Palma Giovane and Aliense, whose families were bonded in marriage on the eve of a series of joint projects, tests the implications of those values in criticism, theory, and connoisseurship when …

    toronto-retro Repository record for Collaborative Painting Between Minds and Hands: Art Criticism, Connoisseurship, and Artistic Sodality in Early Modern Italy (opens in a new tab)

  6. Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice

    … Nicolo Nelli, Enea Vico (Parmigiano) and Titian. The PhD dissertation draws on primary evidence such as original artwork (paintings, sculptures, preparatory drawings and prints), official privilege decrees, correspondence from artists, printmakers and print shop owners, applications for …

    cambridge Repository record for Copyright Privileges, Intellectual Property and Image Ownership: The Role of Law in the Art of Renaissance Venice (opens in a new tab)

  7. Painting History in Mid-Century America: A Case Study of Friedel Dzubas’s Mature Style

    … the tradition of the Venetians dating from late Titian to the grand frescoed tableaux of Giambattista Tiepolo, whose vast expanses further inspired Dzubas to create his own religious tableau, his magnum opus, Apocalypsis cum Figuras/Crossing, A.D. 1975, 1975. My case study suggests that for his …

    essex Repository record for Painting History in Mid-Century America: A Case Study of Friedel Dzubas’s Mature Style (opens in a new tab)

  8. The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity

    My thesis is titled ‘The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity.’ From the viewpoint of classical reception studies, I am asking what contemporary British art (by, for example, Sarah Lucas, Damien Hirst, and Mark Wallinger) has to …

    cambridge Repository record for The Classical in the Contemporary: Contemporary Art in Britain and its Relationships with Greco-Roman Antiquity (opens in a new tab)