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Showing 1 to 12 of 12 for “"Theatre for Young Audiences"”.

  1. Feet That Don't Touch the Floor: Perceptions in Marketing Theatre for Young Audiences

    <p>It was once my dream to build the theatre of the future: to develop a new organization in the theatre community that would provide new ideas and imaginative learning. Reality and research, however, have pointed me in a new direction. From my perspective, we do not currently need another …

    columbus-state Repository record for Feet That Don't Touch the Floor: Perceptions in Marketing Theatre for Young Audiences (opens in a new tab)

  2. Travails in limbo - an ethical and aesthetic investigation into new approaches in the presentation of Theatre for Young Audiences

    … aesthetic approaches in the creation of feminist Theatre for Young Audiences (TYA), specifically for early adolescent girls, through two collaborative workshop processes designed to be ethical and respectful of the participants' contribution. The parallels between the research into a new aesthetic …

    cape-town Repository record for Travails in limbo - an ethical and aesthetic investigation into new approaches in the presentation of Theatre for Young Audiences (opens in a new tab)

  3. Bringing literature to life for sixth grade "reluctant readers": A collaborative, participatory study using Theatre for Young Audiences experiences to address aliteracy

    … this study explored if an Artistic Director of a Theatre for Young Audiences could lead the transformation of aliterate, sixth grade "reluctant readers" into becoming engaged readers of literature? These students have the basic skills to read, but choose not to read for a variety of reasons. The …

    duquesne Repository record for Bringing literature to life for sixth grade "reluctant readers": A collaborative, participatory study using Theatre for Young Audiences experiences to address aliteracy (opens in a new tab)

  4. Tya Methodology Twentieth-century Philosophy, And Twenty-first Century Practice: An Examination Of Acting, Directing, And Dramatic Literature

    Throughout the twentieth century, theatre for young audiences (TYA), or children's theatre, has been situated as something "other" or different than adult theatre, a kind of theatre--but not really theatre, a construct which opened the door to numerous "how to" philosophies geared specifically …

    ucf

  5. Writes of Spring 2014: Fostering Creativity in Theatre, Education, and Leadership

    Creativity is valued in many fields. In theatre, creativity celebrates the imaginative power of a theatrical experience. In theatre for young audiences (TYA), creativity is extended from the stage to the classroom, where theatre empowers learning through creative and imaginative teaching. Teaching …

    ucf

  6. Theatre for Young America: A History

    … City, Missouri. Father, Gene Mackey, is working for one of the areas four professional dinner theatres and has been authorized by his employer to mount a children’s play in response to Mackey’s research which reveals widespread support in the community for a dedicated children’s theatre. Though …

    umkc Repository record for Theatre for Young America: A History (opens in a new tab)

  7. Laurie Brooks: a coterie of plays and concepts

    … contributions of the plays of Laurie Brooks to theatre and Theatre for Young Audiences (TYA). The thesis also focuses on the relationship between Brooks, Jeff Church, and the Coterie Theatre, in Kansas City, Missouri. I held interviews with not only Laurie Brooks, TYA playwright and author, but …

    umkc Repository record for Laurie Brooks: a coterie of plays and concepts (opens in a new tab)

  8. TYA Adaptations for the Theatre Educator

    … the last century, adaptations in the field of Theatre for Young Audiences (TYA) have been the subject of some debate. While adaptations are currently the most produced type of play by children’s theatre companies and professional theatre organizations, original TYA scripts are the ones that …

    columbus-state Repository record for TYA Adaptations for the Theatre Educator (opens in a new tab)

  9. THE CHILD AS DRAMATURG: investigating dramaturgical frameworks steered by child-centric sensibilities

    This dissertation questions how it is possible for a child to be considered the dramaturg of a theatrical production specifically catering for early year audiences. The research begins with an investigation of secondary source materials to obtain a working definition of the concepts of child/hood …

    cape-town Repository record for THE CHILD AS DRAMATURG: investigating dramaturgical frameworks steered by child-centric sensibilities (opens in a new tab)

  10. The Artistry of Accessibility: Creating Theatre with and for Students on the Autism Spectrum

    Theatre is a place where all can come together and have an experience regardless of ethnicity, gender, sexuality, or ability. As a theatre maker and teaching artist, how do I create inclusion and augment social awareness by designing and implementing theatrical experiences for a specific audience? …

    ucf

  11. Pretend Play at Home: Creating An Educationally Enriched Environment for Emergent Literacy Among Preschool-Aged Children

    … how pretend play can be used in the home for educational purposes. The major emphasis of the work will be emergent literacy, however, application principles can be applied in all subject areas. Parents who desire to expand their child's literacy skills while exposing the child to an arts …

    byu Repository record for Pretend Play at Home: Creating An Educationally Enriched Environment for Emergent Literacy Among Preschool-Aged Children (opens in a new tab)