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Showing 1 to 20 of 120 for “"The sublime"”.

  1. Hearing the Sublime: Signification of the Sublime in Solo Piano Literature of the Nineteenth Century

    Though many philosophers and music theorists have admitted the signification of the sublime in music as a possibility, the nature and mechanism of that signification has not yet been treated at length with a methodology familiar to musicians or native to music theory. Within this dissertation I …

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  2. The Unpresentable: Artistic Biblioclasm and the Sublime

    This study investigates the destruction of books carried out by artists during the second half of the twentieth century and the early years of the twenty-first century. It proposes the term 'artistic biblioclasm' as a general category that groups these processes together, and distinguishes this …

    arts-london Repository record for The Unpresentable: Artistic Biblioclasm and the Sublime (opens in a new tab)

  3. The Corroded Surface: Portrait of the Sublime

    Derived from the Latin corrodere, meaning to ‘gnaw to pieces’, corrosion as a transformative physical process is nature at its most sublime, engendering fear and power, producing the obscure and reducing form to the darkness ‘beneath all beauty as promise of its ultimate annihilation’ (Beckley, …

    arts-london Repository record for The Corroded Surface: Portrait of the Sublime (opens in a new tab)

  4. The sublime, imperialism and the African landscape

    In this dissertation the author argued for a postcolonial reading of the sublime that takes into account the racial and gendered underpinnings of Immanuel Kant's and Edmund Burke's classic theories. The thesis used the understanding of the sublime as a lens for an analysis of the cultural politics …

    western-cape Repository record for The sublime, imperialism and the African landscape (opens in a new tab)

  5. Being Vulnerable: Distances of the Sublime Anthropocene

    This project by the artist and researcher Laura Hopes develops from a methodology built around the idea of the ‘vulnerable practitioner’, open to failure, seeking collaboration and acceptant of unknowns. Her practice has become, through collaboration with others and her own acceptance of …

    plymouth Repository record for Being Vulnerable: Distances of the Sublime Anthropocene (opens in a new tab)

  6. An approach to the sublime of death

    … is an unknown and it is final. This makes it sublime. The sublime as an aesthetic category is experienced emotionally as the moral certitude of having embraced the absolute. In that sense, the nervous system is capable of the exact same physiological responses in life. It is these responses to …

    mit Repository record for An approach to the sublime of death (opens in a new tab)

  7. An Empirical Aesthetics of the Sublime and Beautiful

    The sublime and the beautiful are two of the oldest, most discussed categories of aesthetic experience. In their most basic of descriptions, the sublime refers to an aesthetic experience of fear and delight, and the beautiful refers to an aesthetic experie nce of pure pleasure. explores them …

    arts-london Repository record for An Empirical Aesthetics of the Sublime and Beautiful (opens in a new tab)

  8. Erasing the object : sculptural manoeuvres into the sublime

    During the Spring of 1969, as if adopting the guise of the explorer/adventurer of yesteryear, the American artist Robert Smithson (1938 - 1973) and his artist-wifeNancy Holt (1938 - )2 travelled to the Yucatan peninsula, Mexico (Roberts 2000: 552).Over a century earlier, in 1841, the American …

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  9. The Anatomy of Disgust and the Sublime in Metamodern Painting

    <p>The works in this series explore the application of Platonic binary oppositions of life/death and attraction/repulsion using Renaissance painting techniques that include the application of solvent and linseed oil glazes, as well as Galkyd Lite and MSA Gel, to assist in the realistic replication …

    gsu Repository record for The Anatomy of Disgust and the Sublime in Metamodern Painting (opens in a new tab)

  10. Warring opinions: an investigation into the sublime aesthetic narratives of contemporary warfare.

    This project uses aesthetic concepts of the sublime as critical categories for exploring opinions and subjective responses to war as they are presented in selected soldiers' memoirs, literary theory, films, and public affairs-from World War I to the (ongoing) Gulf War. Representations of sublime …

    umn Repository record for Warring opinions: an investigation into the sublime aesthetic narratives of contemporary warfare. (opens in a new tab)

  11. The Sublime and the Dutiful: Ethics and Excess From Edwards to Melville

    Especially since Kant, the sublime has been formulated as a subjective, interior experience, the practical effects of which bear out equivalently ego-centric---or, in the historical sense, nation-specific---interests. But that conception of sublimity, whether derived from Kant or the empirical …

    uiuc Repository record for The Sublime and the Dutiful: Ethics and Excess From Edwards to Melville (opens in a new tab)

  12. The interplay of trauma and the sublime in four fictions by Ian McEwan.

    In this thesis, I will examine how McEwan represents trauma and the sublime in a selection of four novels; these are, in order of publication, The Child in Time (1987), Enduring Love (1997), Amsterdam (1998) and Saturday (2005). The novels I have selected evoke traumatic experience and various …

    adelaide Repository record for The interplay of trauma and the sublime in four fictions by Ian McEwan. (opens in a new tab)

  13. The Sublime Actor and the Poetics of Emotions: Agency, Affect, and the Theatrical Sublime

    This dissertation traces the history of the theatrical sublime from classical, neoclassical, and British eighteenth-century texts and performances to identify the emergence of the sublime actor, a figure who demonstrates a crucial tension in affect theory and in understanding the individual …

    york Repository record for The Sublime Actor and the Poetics of Emotions: Agency, Affect, and the Theatrical Sublime (opens in a new tab)

  14. The dyslexic sublime: exploring the art-making process of dyslexic artists through the lens of the sublime

    The connection between art and the Sublime, encompassing concepts like transcendence and the duality of pain and pleasure, is well-established. These formless and invisible concepts can be represented through art, yet research primarily focuses on renowned artists, with limited exploration into how …

    london-metro Repository record for The dyslexic sublime: exploring the art-making process of dyslexic artists through the lens of the sublime (opens in a new tab)

  15. Objects, People, and Landscapes of Terror: Considering the Sublime through the Gothic Mode in Late 19th Century Novels

    In this master’s thesis, I explore how theories of the sublime are negotiated in three Victorian novels and how they relate to issues of foreignness and gender in the nineteenth century. The introduction provides an overview of each chapter and outlines key theorists and theories of the sublime …

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  16. The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America

    … approach to researching art with an emphasis on the artistic practices of Middle Eastern diasporic artists in Canada and the USA. This dissertation moves from an account of aesthetic theory to the revival of public interest in art related to the Middle East and the artistic challenges faced by …

    york Repository record for The Sublime in Contemporary Art and Politics: The Post 9/11 Art of Middle Eastern Diaspora in North America (opens in a new tab)

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