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Showing 1 to 5 of 5 for “"The Trojan women"”.

  1. Free falling bird : an encounter with the Trojan women of Euripides.

    The focus of this research relates to finding praxis for making theatre within a contemporary feminist framework with specific emphasis on writing for the theatre. It explores ways of opening up the possibility of feminist conversations beginning with the written text and how playwriting may …

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  2. The Trojan women: the development and execution of a costume design concept

    The purpose of this thesis is to examine the conceptual and actualized costume designs for Euripides' tragedy, The Trojan Women. This production was presented in Burruss Auditorium, Friday, March 27,Saturday, March 28 and Sunday, March 29, 1981.

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  3. Suzuki Tadashi's Intercultural Adaptations

    Contemporary theatre is increasingly visual, an aesthetic shift that has been analyzed in, among others, Hans-Thies Lehmann’s influential Postdramatic Theatre. This shift is apparent in Japanese director Tadashi Suzuki’s intercultural adaptations, which adapt plays of the Western repertoire for …

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  4. Tracing the Establishment of Political Society: Remembering and Forgetting in Ancient Greek Literature

    This thesis explores the connection between memory and the formation of political society in ancient Greek literature. It is grounded in the notion that memory is a political process: its narratives are shaped by the social and political groups to which we belong. In turn, what and how we remember …

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  5. Disarming the canon : exploring Tepper’s and Atwood’s retelling of classical (her)story

    This dissertation explores the ways in which two contemporary texts, Sheri S. Tepper’s (1990) The gate to Women’s Country and Margaret Atwood’s (2005) The Penelopiad, adapt classical texts by Euripides and Homer in order to make and strengthen statements about contemporary gender ideologies that …

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