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Showing 1 to 13 of 13 for “"The Portrait of a Lady"”.

  1. Adapting Henry James to the screen: Washington Square & The portrait of a lady

    This dissertation explores the film adaptations of two of the novels of Herny James, namely Washington Square (1880) and The Portrait of a Lady (1881). The Introduction discusses issues relating broadly to the problems and attractions of film adaptation. I draw especially on the work of James …

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  2. The Finest Entertainment: Conscious Observation on Film in Adaptations of Henry James' The Portrait of a Lady, The Wings of the Dove, and Washington Square

    The works of Henry James are renowned for their dense sub-text and the manner in which he leaves his reader to elucidate much of his meaning. In the field of adaptation theory, therefore, James presents somewhat of a problem for the film adaptor: how does one convey on screen James' delicate …

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  3. Trophies or Treasures: The Burden of Choice for Mothers, Wives, and Daughters in <em>Washington Square</em>, <em>The Portrait of a Lady</em>, and <em>The Bostonians</em>.

    <p>In the world of Henry James's novels, characters are often placed in difficult situations where their happiness depends on their ability to make a free choice. Female characters are manipulated and diminished by a patriarchal system that not only seeks to subordinate their will, but also to …

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  4. Lily Bart and Isabel Archer: Women Free to Choose Lifestyles or Victims of Fate?

    <p> <p>This thesis argues that Isabel Archer of Henry James’s novel The Portrait of a Lady and Lily Bart of Edith Wharton’s novel The House of Mirth were nineteenth-century characters struggling to assert their social and sexual independence in a male dominated society. Although Isabel inherits a …

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  5. Unhappy Consciousness: Recognition and Reification in Victorian Fiction

    Unhappy Consciousness is a study of recognition scenes in the Victorian novel and their relation to Marx's concept of commodity fetishism. Victorian recognition scenes often show a hero's self-discovery as a retrospective identification with things. When, for example, in Henry James's The Portrait

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  6. Sympathetic Observations: Widowhood, Spectatorship, and Sympathy in the Fiction of Henry James

    This thesis explores the roles of widowhood and sympathy in Henry James's short and long fiction. By the time James established himself as a writer of fiction, the culture of sentiment and its formation of sympathetic identification had become central to American and British writers. Critically, …

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  7. The Essentials of Narrative: A Synthesis of the West and the East

    "This is a study on the nature of narrative in light of a narratological theory inspired by a comparison of narratives in the West and the East, and which tries to reach a deeper understanding of narratives in their particular cultural milieus as well as the nature of narrative per se. The

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  8. Unlived Lives in Twentieth Century Narrative: Henry James, Elizabeth Bowen, Kazuo Ishiguro

    In her 1955 novel A World of Love, Elizabeth Bowen considered the effects of a fifty-year period in which the outbreak of two world wars had reconfigured radically the expected course of personal and national history. Those alive at the mid-century, she observed, were consequently more aware than …

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  9. The Double-Vision of Imagination : An Appraisal of Surface and Substance in the Fiction of Henry James

    This study is concerned, primarily, with the faculty of the imagination, incidentally as a general concept, but chiefly in its application to the fictional and critical works of Henry James. A number of these works have been consulted with the intention of deriving, and subsequently illustrating, a …

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  10. Radical Interiorities, Aesthetic Selves: Charlotte Brontë, Henry James, Virginia Woolf

    … writes “We do not know our own souls, let alone the souls of others…There is a virgin forest in each; a snowfield where even the print of birds' feet is unknown.” My dissertation explores how the novel’s attempts to represent this inherently intimate and estranging “virgin forest” also test its …

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  11. The Role of Cognitive Dissonance in Fin de Siècle Jamesian Narratives

    … James once described emergent self—awareness of individual consciousness as an “illimitable power” that enables personal survival within a world that is, by default, unpredictable and volatile. Subsequent analyses of narrative subtleties and character evolution in James’s major works of

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  12. Henry James and the moral will

    <p>Any act of literary criticism is presumptuous, but to contribute still another treatise on Henry James to the profuse analyses which already exist might seem sheer arrogance. I am not, however, so bold as to claim that the following study blazes with originality. It does offer, I think, more …

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