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Showing 1 to 1 of 1 for “"The Female Spectatorship"”.

  1. Monster Mothers and the Confucian Ideal: Korean Horror Cinema in the Park Chung Hee Era

    This study explores the patriarchal unconscious underlying the Korean horror genre through a critical feminist psychoanalytical reading of the family dynamics and female agency in three landmark texts, namely, The Public Cemetery under the Moon (Kwon, Chul-hwi, 1967), Mother's Han (Lee, Yusup, …

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