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Showing 1 to 3 of 3 for “"The Edge of Heaven"”.

  1. From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema

    … and Rainer Werner Fassbinder, who were among the first to explore the marginalization of immigrants in post-War Germany, the current Turkish-German wave of Migrant Cinema explores issues of memory, border crossing, third space, masculinity in crisis, homosexuality, assimilation, integration, …

    iu Repository record for From Margins to the Center Through the Film Lens: Gender and Turkish-German Cinema (opens in a new tab)

  2. Male Subjectivity and Twenty-First Century German Cinema: Gender, National Idenity, and the Problem of Normalization

    <p>This study is committed to a critical analysis of the ways in which constructions of masculinity and national identity intersect in contemporary German cinema. The fundamental premise behind it is that masculinity, or rather male subjectivity, functions as the nodal point for negotiating …

    south-carolina Repository record for Male Subjectivity and Twenty-First Century German Cinema: Gender, National Idenity, and the Problem of Normalization (opens in a new tab)

  3. Irreconcilable Oppositions: "<em>Es Muss Sein</em>" and <em>The Unbearable Lightness of Being</em>

    <p>Milan Kundera's <em>The Unbearable Lightness of Being</em> is a novel written in response to the German philosopher Friedrich Nietzsche's myth of eternal return. Through questioning Nietzsche's myth, Kundera creates an existential framework that rejects eternal return and illustrates his …

    gsu Repository record for Irreconcilable Oppositions: "<em>Es Muss Sein</em>" and <em>The Unbearable Lightness of Being</em> (opens in a new tab)