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Showing 1 to 8 of 8 for “"The Alchemist"”.

  1. The Alchemist of the Surreal and the Uncanny Valley: Jan Švankmajer, the puppet and eerie animation

    … Švankmajer, a militant Surrealist and member of the Czech Surrealist group, whose work is influenced by the Czechoslovakian culture and tradition, employs the notion of the uncanny in his films in mixing and contrasting ways and animating the inanimate is a central element. Freud’s The Uncanny, …

    essex Repository record for The Alchemist of the Surreal and the Uncanny Valley: Jan Švankmajer, the puppet and eerie animation (opens in a new tab)

  2. The influence of alchemy and Rosicrucianism in William Shakespeare's Pericles, Prince of Tyre and The tempest, and Ben Jonson's The alchemist

    This thesis traces the influence of alchemy and its renaissance in the early seventeenth century as Rosicrucianism, in William Shakespeare's Pericles, Prince of Tyre and The Tempest, and Ben Jonson's The Alchemist. Shakespeare's Final Plays are a dramatic experiment that ventures beyond realism, …

    cape-town Repository record for The influence of alchemy and Rosicrucianism in William Shakespeare's Pericles, Prince of Tyre and The tempest, and Ben Jonson's The alchemist (opens in a new tab)

  3. Misogynistic Language in the Comedies of Ben Jonson: Jonson's Social Commentary on a Degenerating London

    … an almost entirely negative view of women; the plays are full of misogynistic language and their portrayal of women looks bleak. The good women in his comedies, such as Celia in <em>Volpone</em> or Dame Pliant in <em>The Alchemist</em>, are passive, weak characters who subject themselves to …

    gsu Repository record for Misogynistic Language in the Comedies of Ben Jonson: Jonson's Social Commentary on a Degenerating London (opens in a new tab)

  4. Alchemists, Epics, and Heroes: The Rhetorical Construction of the Seventeenth Century Experimental Philosopher

    This dissertation contributes to the cultural study of the history of science by examining the rhetorical construction of seventeenth century natural philosophy and natural philosophers in a literary context. I offer as the heart of my study an original interpretation of Thomas Sprat's History of …

    uiuc Repository record for Alchemists, Epics, and Heroes: The Rhetorical Construction of the Seventeenth Century Experimental Philosopher (opens in a new tab)

  5. Constants

    … overarching constant is a clue which may help the reader come to a conclusion about why I make sculpture. I will address repetitive motion in regard to failure and how this parallels the ongoing endeavors of the alchemist. I will discuss the idea of meaning as it exists in the conflict between …

    wustl Repository record for Constants (opens in a new tab)

  6. Speak'st, Art Sound: The Material Voice in Early Modern England

    This thesis argues that early moderns conceived of speech as a material phenomenon; voice struck out from bodies into environments. Early modern voices thus participate in what sound studies scholars call the soundscape, which I link to current new materialist and ecological theories of network and …

    mississippi Repository record for Speak'st, Art Sound: The Material Voice in Early Modern England (opens in a new tab)

  7. Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704

    <p>This dissertation examines the ways in which the encounter with God is figured in post-Reformation English writing between the years 1550 and 1704. The introduction contextualizes the ways in which individuals might encounter God within cultural and historical circumstances of the period: the

    wayne-thes Repository record for Hallowed ground: literature and the encounter with god in post-reformtion england, c. 1550 - 1704 (opens in a new tab)

  8. Solomon on Stage, Representations of Magic and the Occult in Early Modern English Drama

    This thesis examines the influence of beliefs about King Solomon on the depiction of magic in early modern drama. I explore the extent to which would-be magicians could use Solomon as a role model for their own endeavours, drawing upon sources which attributed magical powers to the biblical king. …

    cambridge Repository record for Solomon on Stage, Representations of Magic and the Occult in Early Modern English Drama (opens in a new tab)