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Showing 1 to 3 of 3 for “"Tenebrae"”.

  1. Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy

    … psalm tones in <i>Euridice</i>; Caccini used Tenebrae chant melisma in <i>Le nuove musiche</i>; Cavalieri quoted the Lamentations chant in his <i>Lamentationes</i>; Monteverdi evoked plainchant psalmody in the <i>Lamento d’Arianna</i>. Chant recitation was clearly a familiar model that could …

    ohiolink Repository record for Speaking in Tones: Plainchant, Monody, and the Evocation of Antiquity in Early Modern Italy (opens in a new tab)

  2. The Miserere Tradition from the Cathedral of Santiago de Guatemala

    … (strepitus) during the important ceremony of Tenebrae, symbolizing the earthquake at Christ's death, would have held a profound, tangible significance for a population frequently enduring natural disasters, transforming the penitential psalm into a powerful expression of faith and resilience. …

    arizona-thes Repository record for The Miserere Tradition from the Cathedral of Santiago de Guatemala (opens in a new tab)

  3. Sounds without Borders: Industry, Society and the Voice in Giallo Cinema

    … cinematic eras. Chapter 3 argues that Argento’s Tenebrae (1982) and Fulci’s The New York Ripper (1982) variously mimic the vocal aesthetics of television. These films lay bare both the increasing dominance of the Italian cultural landscape by imported commercial television in the 1980s and the …

    cambridge Repository record for Sounds without Borders: Industry, Society and the Voice in Giallo Cinema (opens in a new tab)