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Showing 1 to 12 of 12 for “"Telemann"”.

  1. Georg Philipp Telemann Douze solos, a violon ou traversiere : recording an entrepreneurial interpretation

    … a recording of four works from Georg Philipp Telemann's rarely performed Douze Solos, à Violon ou Traversière; Telemann himself was an entrepreneur who strove to make his music accessible to the largest possible audience, and the dramatic emotional content of these particular pieces is ideal …

    ballstate-thes Repository record for Georg Philipp Telemann Douze solos, a violon ou traversiere : recording an entrepreneurial interpretation (opens in a new tab)

  2. Georg Philipp Telemann (1681-1767) : his relationship to Carl Heinrich Graun and the Berlin circle

    … and literary developments is Georg Philipp Telemann (1681-1767).The object of this thesis is to place in its proper context the highly influential musical personality of Telemann, in particular through a study of his relationship to a younger generation of composers and theorists: the …

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  3. A conductor’s guide to the Magnificat in C, TWV 9:17 by Georg Philipp Telemann

    … of this study is to investigate Georg Philipp Telemann’s Magnificat in C (TWV 9:17) and to create a guide for performance of the composition. The liner notes for the recording from 1964, acknowledge that “The Latin Magnificat in C is the more extended and elaborately scored of Telemann’s …

    uiuc Repository record for A conductor’s guide to the Magnificat in C, TWV 9:17 by Georg Philipp Telemann (opens in a new tab)

  4. Aria Forms and Chorus Textures in Bach's Early Cantatas: The Influences of Neumeister, Telemann, and Rosenmueller

    … Bach adopted these features from Georg Philipp Telemann, and that both features are present in Telemann's earliest cantata cycle, Geistliches Singen and Spielen. Telemann in turn adopted them from his model, Johann Rosenmuller, who had acquired his compositional techniques in Venice. The …

    uiuc Repository record for Aria Forms and Chorus Textures in Bach's Early Cantatas: The Influences of Neumeister, Telemann, and Rosenmueller (opens in a new tab)

  5. Georg Philipp Telemann and the Invention of 'the Polish Style': Musical Polishness in the Early Modern German Imagination

    … lands, focusing on the composer Georg Philipp Telemann (1681-1767), who was regarded by his contemporaries as a leading practitioner of ‘the Polish style’ of composition. Although references to ‘Polish’ music and dance are abundant in German-language sources from the sixteenth century onwards, …

    cambridge Repository record for Georg Philipp Telemann and the Invention of 'the Polish Style': Musical Polishness in the Early Modern German Imagination (opens in a new tab)

  6. Georg Philipp Telemann's Use Of The Trumpet In Tafelmusik II-TWV 55: D1 (1733) Together with Three Recitals of Selected Works by Kennan, Torelli, Chaynes and Others

    While trumpeters know him best for his concertos, Telemann included trumpets in his operas, cantatas, oratorios, orchestral music and mixed chamber music. This project will study the opening suite and conclusion of Tafelmusik II (TWV: D1, 1733) in order to examine his use of the trumpet in a mixed …

    unt Repository record for Georg Philipp Telemann's Use Of The Trumpet In Tafelmusik II-TWV 55: D1 (1733) Together with Three Recitals of Selected Works by Kennan, Torelli, Chaynes and Others (opens in a new tab)

  7. Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain

    … influenced by the Nouveaux Quatuors of Telemann when he composed his Conversations galantes? Georg Philipp Telemann (1681–1767), a North German who typically absorbed foreign elements into his writing-style published what was probably the last of his chamber music in Paris in 1738, …

    cape-town Repository record for Aspects of George Philipp Telemann's Nouvelaux quatuors, in particular their possible influence on the conversations galantes of Louis-Gabriel Guillemain (opens in a new tab)

  8. Master's thesis recital (trumpet)

    … Concerto in D major, TWV 51:D7 / Georg Philipp Telemann

    texas Repository record for Master's thesis recital (trumpet) (opens in a new tab)

  9. From Venice to Dresden: Tracing the Influence of Vivaldi’s Bassoon Concerti among his Northern Followers

    … and followers, including Georg Philip Telemann and Jan Dismas Zelenka. The initial biographical portion of this research focuses on Vivaldi’s places of employment and also introduces less-known composers and bassoonists who further enriched Baroque bassoon literature. Building upon work …

    houston Repository record for From Venice to Dresden: Tracing the Influence of Vivaldi’s Bassoon Concerti among his Northern Followers (opens in a new tab)

  10. The Essercizii musici: A Study of the Late Baroque Sonata

    Telemann's Essercizii musici is a seminal publication of the 1730's representative of the state of the sonata in Germany at that time. Telemann's music has been largely viewed in negative terms, presumably because of its lack of originality, with the result that the collection's content has been …

    unt Repository record for The Essercizii musici: A Study of the Late Baroque Sonata (opens in a new tab)