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Showing 1 to 20 of 44 for “"T. S. Eliot"”.

  1. Modernismo 'Verde': Un'Analisi Ecocritica di T. S. Eliot

    … ecocritica, l’opera di Thomas Stearns Eliot, esplorando l’intersezione tra modernità, natura e spiritualità. Articolata in quattro capitoli dedicati agli elementi empedoclei (terra, acqua, fuoco, aria), la ricerca indaga il passaggio dall’alienazione urbana moderna alla riscoperta di …

    catania Repository record for Modernismo 'Verde': Un'Analisi Ecocritica di T. S. Eliot (opens in a new tab)

  2. The Church in the Dramas of T. S. Eliot

    … of a sterile Waste Land populated by straw men, Eliot's dramas increasingly portray a world of great meaning and hope. His early dramas portray a hostile and insensible world which must be fought and completely rejected by religious persons who are called to martyrdom and sainthood. Eliot's …

    central-wash Repository record for The Church in the Dramas of T. S. Eliot (opens in a new tab)

  3. Teaching the Sermon: Lyric, Narrative, and T. S. Eliot

    … is an examination of the subsection of T. S. Eliot's The Waste Land that is aptly named "The Fire Sermon." The hybrid nature of this famous poem makes it open to a variety of readings, and these readings are often conflicting. Thus, the work, in spite of being a seminal text in literature, can …

    vt Repository record for Teaching the Sermon: Lyric, Narrative, and T. S. Eliot (opens in a new tab)

  4. “Forgotten Wars” : war in the writings of T. S. Eliot

    … literary theme and historical circumstance, and Eliot’s writings, and casts light on the transformation of both the degree to which war shapes Eliot’s writings and the ways in which Eliot responds to war in his writings. As a timely contribution to Eliot scholarship, my thesis aims at …

    lancaster Repository record for “Forgotten Wars” : war in the writings of T. S. Eliot (opens in a new tab)

  5. Affective Rhythms in Edward Lear, T. S. Eliot, and Stevie Smith

    … the compositions of Edward Lear, Thomas Stearns Eliot, and Stevie Smith. My central question is the extent to which compositions can be driven by, perform, and treat affect. In exploring how rhythmical tendencies ally with the representations of affect in poets’ published verses and unpublished …

    cambridge Repository record for Affective Rhythms in Edward Lear, T. S. Eliot, and Stevie Smith (opens in a new tab)

  6. Forbidden Attraction: Russian Poets Read T. S. Eliot during the Cold War

    … is to demonstrate how the reception of T. S. Eliot, one of the leading proponents of Anglo-American modernism, shaped the aesthetics of Russian poetry in the second half of the twentieth century. In the twentieth century, Russian culture found itself in a unique situation of separation from …

    cuny-grad Repository record for Forbidden Attraction: Russian Poets Read T. S. Eliot during the Cold War (opens in a new tab)

  7. Agricultural approaches to T. S. Eliot's Murder in the Cathedral and Four Quartets.

    This project considers the convergence of T. S. Eliot's agrarian and Anglo-Catholic views in Murder in the Cathedral and Four Quartets. Drawing on Jeremy Diaper's book T. S. Eliot and Organicism, I explore how Eliot performs and communicates his agrarian politics through these works and how his …

    baylor Repository record for Agricultural approaches to T. S. Eliot's Murder in the Cathedral and Four Quartets. (opens in a new tab)

  8. Toward the still point : T. S. Eliot's Four quartets and Thoreau's Walden

    This thesis explores ways in which T. S. Eliot, when he wrote his most autobiographical poetic work Four Quartets, might have been influenced by Thoreau’s famously autobiographical prose work Walden, written nearly a century earlier. Much evidence suggests that Eliot knew of the earlier writer and …

    sask Repository record for Toward the still point : T. S. Eliot's Four quartets and Thoreau's Walden (opens in a new tab)

  9. Politics of Place in the Poetry of T. S. Eliot, William Carlos Williams and Marianne Moore

    … politics of place in three modernist poets—T. S. Eliot, William Carlos Williams and Marianne Moore. Through the critical lens of both human geography and social construction theories of place, this project aims to uncover the underlying political connotations of the representations of place in …

    essex Repository record for Politics of Place in the Poetry of T. S. Eliot, William Carlos Williams and Marianne Moore (opens in a new tab)

  10. Hindu and Buddhist Mysticism: The Still Point in The Turning Worlds of T. S. Eliot and Octavio Paz

    Made available in DSpace on 2014-12-14T13:49:05Z (GMT). No. of bitstreams: 1 7709033.pdf: 12934304 bytes, checksum: 99bf6b64ff634853591aba5c8fbafefb (MD5) Previous issue date: 1976

    uiuc Repository record for Hindu and Buddhist Mysticism: The Still Point in The Turning Worlds of T. S. Eliot and Octavio Paz (opens in a new tab)

  11. Mind and World in Literary Modernism: Cognition and Experience in D. H. Lawrence, Katherine Mansfield, T. S. Eliot, and Virginia Woolf

    … in D. H. Lawrence, Katherine Mansfield, T. S. Eliot, and Virginia Woolf. Drawing new perspectives from cognitive science, this thesis complicates the long-established critique of modernism's ‘inward turn’. I ask: does depicting interior experiences entail the view that the mind is an isolated …

    cambridge Repository record for Mind and World in Literary Modernism: Cognition and Experience in D. H. Lawrence, Katherine Mansfield, T. S. Eliot, and Virginia Woolf (opens in a new tab)

  12. The Language of Real Life: Self-possession in the Poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry

    … for the means of production. Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry are all poets who address the relationship between being and ownership in expressing what Marx and Engels call the “language of real life” in The German Ideology (26). In 1927, Eliot converted to …

    toronto-retro Repository record for The Language of Real Life: Self-possession in the Poetry of Paul Celan, T. S. Eliot, Rainer Maria Rilke, and Paul Valéry (opens in a new tab)

  13. T. S. Eliot and the Romantic Poets: A Study of the Similar Poetic Themes and Methods Used by Eliot and Wordsworth, Coleridge, Keats, Byron, and Shelley

    Made available in DSpace on 2014-12-10T19:35:36Z (GMT). No. of bitstreams: 1 7412103.pdf: 8452153 bytes, checksum: 368ce702dd15f0afe8e8a32ae168428f (MD5) Previous issue date: 1973

    uiuc Repository record for T. S. Eliot and the Romantic Poets: A Study of the Similar Poetic Themes and Methods Used by Eliot and Wordsworth, Coleridge, Keats, Byron, and Shelley (opens in a new tab)

  14. Carnivalized narratives in the postmodern long poem

    … in the twentieth-century. Writers such as T. S. Eliot, Ezra Pound, and William Carlos Williams have pursued the long poem, but under the auspices of the "modern epic." Three postmodern long poems---Kenneth Koch's Seasons on Earth, Edward Dom's Gunslinger, and James Merrill's The Changing Light at …

    wvu Repository record for Carnivalized narratives in the postmodern long poem (opens in a new tab)

  15. Self-Referential Anxiety in the Romantic and Modern Long Poem

    … Coleridge, Robert Browning, Ezra Pound, T. S. Eliot, Elizabeth Bishop, and John Berryman. In works by each of these poets, the author's insecurities about the poem's form and subject matter and about the appropriate role of the poet are articulated through the character of the "poet-figure," …

    uiuc Repository record for Self-Referential Anxiety in the Romantic and Modern Long Poem (opens in a new tab)

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