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Showing 1 to 14 of 14 for “"Symphony No. 1"”.

  1. Symphony No. 1

    Choi, JongmoonUniversity of North Texas2001

    Symphony No. 1 is an orchestral composition for twenty-four instrumental groups without percussion instruments. It was composed with Algorithmic Composition System software, which gives driving forces for composition to the composer through the diverse compositional methods largely based on …

    unt Repository record

  2. Symphony no. 1

    Horvit, Michael M.Boston University1959

    Thesis (D.M.A.)--Boston University

    bu Repository record

  3. Symphony No. 1, "Distractions"

    Burns, Britt AndrewUniversity of Kansas2008

    Symphony No. 1, "Distractions" by Britt Andrew Burns Composition for Symphony No. 1, Distractions began in Fall 2005 when the composer was living in north England. The first of the three-movement work was completed that fall with the other two finished in the winter of 2006. The inspiration behind …

    ku Repository record

  4. Symphony No. 1, "fall with me"

    Thompson, Jackie Gill, IIThe University of Arizona.2010

    Symphony No. 1, "fall with me" is a five-movement work--approximately thirty-five minutes in duration--that explores intramusical thematic relationships through the use of cyclic themes, reminiscence motives, and an adapted version of Igor Stravinsky's "poles of attraction" concept. This is …

    arizona-thes Repository record

  5. Structural Octatonicism in Cindy McTee's Symphony No.1: Ballet for Orchestra

    Weaver, Jennifer L.University of North Texas2007

    Cindy McTee's Symphony No. 1: Ballet for Orchestra is composed primarily of pitch materials from the octatonic collections that contain both diatonic and non-diatonic relationships in the themes, harmonic content, and larger structure of the symphony. Because the octatonic collections contain the …

    unt Repository record

  6. On Paul Hindemith's Harmonic Fluctuation Theory. With Original Composition by Author: 'Symphony No. 1'

    Hensel, Herman RichardUniversity of Illinois at Urbana-Champaign2014

    … in DSpace on 2014-12-09T19:39:43Z (GMT). No. of bitstreams: 1 6503596.pdf: 16644320 bytes, checksum: 1a7c343cba5358d0fd76469e90935e1b (MD5) Previous issue date: 1964

    uiuc Repository record

  7. An original composition, Symphony No. 1, "Eustace the Monk" and compositional techniques used to elicit musical humor

    Stokes, Samuel HowardMusic2022

    Part I – “Symphony No. 1 – ‘Eustace the Monk’” is based on a figure from medieval legend. Although Eustace Busket is a historically documented person that lived c.1170-1217, the exact details of his life are shrouded in legend. Many of the details of the legend of Eustace were passed down through …

    lsu-thes Repository record

  8. The Roots of Musical Meaning With Special Reference to Leonard B. Meyer'stheory (With) 'Symphony No. 1.' (Original Composition)

    Coker, Wilson WilliamUniversity of Illinois at Urbana-Champaign2014

    … in DSpace on 2014-12-09T19:39:44Z (GMT). No. of bitstreams: 1 6507086.pdf: 16463198 bytes, checksum: ef1c82a8d06ea4b2041341f8b5e283c1 (MD5) Previous issue date: 1965

    uiuc Repository record

  9. Some Aspects of Mozart's Thematic Unity Based Upon a Study of Selected Piano Concerto Allegros (With) Symphony No. 1. (Original Composition)

    Hayes, Truman DanielUniversity of Illinois at Urbana-Champaign2014

    … in DSpace on 2014-12-09T19:39:52Z (GMT). No. of bitstreams: 1 6607750.pdf: 18533842 bytes, checksum: 95b77cf67f3faecef9f902868650ecaf (MD5) Previous issue date: 1966

    uiuc Repository record

  10. THE REVIVAL OF THE FIRST SYMPHONY FOR SYMPHONIC BAND OPUS 35 BY JAMES BARNES A CONDUCTOR’S ANALYSIS

    Clark, Matthew PaulUniversity of Kansas2025

    … and expressive possibilities of the wind symphony medium. James Barnes’s Symphony No. 1 op, 35 stands as a compelling case study in the maturation of this ensemble form. Originally composed in 1975 and revised in 2024, the work demonstrates both the enduring strengths of the modern wind …

    ku Repository record

  11. The Blue Hour

    Sohn, NickyRice University2025

    The Blue Hour is the second movement of Symphony No. 1, a work that explores memory, change, and renewal. Inspired by my experiences in the Gabriela Lena Frank Creative Academy of Music’s Composing Earth Cohort, the symphony reflects on environmental shifts and personal transformation. Growing up …

    rice Repository record

  12. Pathways in the music of Sir Peter Maxwell Davies: from precursor works to the first two symphonies

    Phillips, J. P. N.University of Hull2011

    … squares, and the orchestral work analysed is the Symphony No. 1: the following part also deals with magic squares, and presents an analysis of the Symphony No. 2. The thesis concludes with a fifth part consisting of a single chapter giving a retrospect, and prospects for future work.

    hull Repository record

  13. Dual-Interval Spaces: Interrelations Between Interval Classes 1 and 5, Local Pitch Centers and Form in Dmitri Shostakovich's Piano Sonata No. 1, Op. 12

    Hong, Tae Young2015

    <p>Dmitri Shostakovich’s <em>Piano Sonata No. 1</em>, written in 1926, is one of his most complex and lengthy works for piano. In contrast to the conservative style used in his critically-acclaimed Symphony No. 1, Op. 10, composed a year earlier, the sonata employs a highly modernistic idiom which …

    usm Repository record

  14. Deconstructing David Lang's The Anvil Chorus

    Smith, Brandon M.2015

    … was shown a film performance of Shostakovich's Symphony No. 1 by Bernstein with the New York Philharmonic. The film brought forth the fact that Shostakovich was only nineteen years old when he wrote the symphony. Lang thought, "I have ten years and I could do it." Consequently, from that moment …

    columbus-state Repository record