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Showing 1 to 20 of 57 for “"Superhero"”.

  1. Is Superman a Sense or a Superhero?

    This paper discusses the puzzle introduced by Jennifer Saul, which involves swapping coreferential proper names in simple sentences such as (1) Benito dresses as Clark Kent, and (1*) Benito dresses as Superman. While the traditional Frege's puzzle suggests that such substitutions do not change the …

    vt Repository record for Is Superman a Sense or a Superhero? (opens in a new tab)

  2. Narrowing the Margin: The Role of the Black Superhero

    … used to seeing it.”<a title="">[1]</a></p> <p> Superheroes have a strong influence in our society, and as such we should look at the messages they represent. To this end, I have examined the roles of African American characters by understanding their history before and after the induction of an …

    gsu Repository record for Narrowing the Margin: The Role of the Black Superhero (opens in a new tab)

  3. Superhero Healthcare: Graphic Medicine, Genre and Public Education Comics

    This thesis has created a new sub-genre Superhero Healthcare and has tracked its development and its potential as a pedagogical resource. This study argues that the sub-genre stems from both graphic medicine and the superhero genres and has progressed through uncovering the long, forgotten history …

    dundee Repository record for Superhero Healthcare: Graphic Medicine, Genre and Public Education Comics (opens in a new tab)

  4. Vigilantes, incorporated: an ideological economy of the superhero blockbuster

    "Since 2000, the comic-book superhero blockbuster has become Hollywood's most salient genre. ""Heroes, Incorporated: A Political Economy of the Superhero Blockbuster"" examines these seemingly reactionary fantasies of American power, analyzing their role in transmedia storytelling for a …

    uiuc Repository record for Vigilantes, incorporated: an ideological economy of the superhero blockbuster (opens in a new tab)

  5. Big Screen Heroes with Paper Voices: A Superhero Adaptation Research Essay

    <p>Superheroes may have taken over your phone, tablet, and television screens through the endless adaptations that pelt us from upon high mouse-shaped ears, but their rich history goes back much further than that; they have gripped the public imagination since their creation in comic strips …

    kennesaw Repository record for Big Screen Heroes with Paper Voices: A Superhero Adaptation Research Essay (opens in a new tab)

  6. Crazier than Sack of Ferrets!: Deadpool as the Post-Watchmen Superhero

    … But for Moore's Watchmen, we find that even superheroes are corruptible, flawed, imperfect, and even (more than) a little crazy. In the wake of what is arguably one of the most influential superhero novels published to date, the comics industry saw a rise in the popularity of anti-heroes like …

    vt Repository record for Crazier than Sack of Ferrets!: Deadpool as the Post-Watchmen Superhero (opens in a new tab)

  7. Turning The Page: Fandoms, Multimodality, And The Transformation Of The 'comic Book' Superhero

    <p>Superheroes are increasingly becoming more affiliated with film media than comic books. The amount of revenue generated, the formation of new fans, and the interests of comic publishers’ parent companies all suggest that superhero film adaptations are the medium most associated with the …

    wayne-thes Repository record for Turning The Page: Fandoms, Multimodality, And The Transformation Of The 'comic Book' Superhero (opens in a new tab)

  8. Sounding super: Examining aspects of music and sound design in American superhero media

    Submission original under an indefinite embargo labeled 'Open Access'. The submission was exported from vireo on 2023-09-01 without embargo terms

    uiuc Repository record for Sounding super: Examining aspects of music and sound design in American superhero media (opens in a new tab)

  9. "Racially Charged": Negotiating Black Politics on the Superhero TV Adaptation, Black Lightning

    … as a case study of the representation of Black superheroes in comic book television adaptations. By focusing on the three main superheroes Jefferson Pierce/Black Lightning; Anissa Pierce/Thunder/Black Bird; and Jennifer Pierce/Lightning, this project examines the ways in which the show relies on …

    carleton Repository record for "Racially Charged": Negotiating Black Politics on the Superhero TV Adaptation, Black Lightning (opens in a new tab)

  10. How to be a superhero: stories of creating a culture of inclusion through theatre

    … to their professional performance of How to be a Superhero: A Guide to Saving the World. Supplementary projects with Hijinx Theatre in Lesotho and the Oasis Association in South Africa provide stories of igniting hidden talents and overcoming the obstacles that create barriers to inclusion in both …

    cape-town Repository record for How to be a superhero: stories of creating a culture of inclusion through theatre (opens in a new tab)

  11. Mask and closet ; or, "Under the Hood" : metaphors and representations of homosexuality in American superhero comics after 1985

    … representation of male homosexuality in American superhero comics between the years 1986 and 2003. The thesis gives some theoretical attention to problems of epistemology, and the uses of connotative as opposed to denotative representation and reading. It traces the history of the discourse to the …

    mit Repository record for Mask and closet ; or, "Under the Hood" : metaphors and representations of homosexuality in American superhero comics after 1985 (opens in a new tab)

  12. Reading the Superhuman, Embodiments of Multiplicity in Marvel Comics

    … the operation of embodied multiplicities within superhero comics from the postwar era using the example of comics produced by the Marvel group between 1961 and 2005. This project argues that the superheroes created during this era reflect major social and cultural upheavals that continue to …

    york Repository record for Reading the Superhuman, Embodiments of Multiplicity in Marvel Comics (opens in a new tab)

  13. Imaginary Women: Violence and the Postmodern Construction of Gender in DC's New 52

    … forms of violence has been intertwined with superhero comic books since the genre's inception. In 1999, comic book author and industry insider Gail Simone called attention to the genre's tendency to injure, cripple, kill, or disempower its female characters, oftentimes in order to advance the …

    mo-state Repository record for Imaginary Women: Violence and the Postmodern Construction of Gender in DC's New 52 (opens in a new tab)

  14. Marked Superheroes and Villains: 21st Century Embodied Rhetorics of (Dis)Abilities and (Hyper)Masculinity

    … Masculinity in the 21st Century Comic Superhero Adaptation <em>Arrow</em></p> <p>II. Marked Bodies: Physicalist Manifestations of Superhero Strength, Character Evolution, and Mental and Emotional Dis/Abilities</p> <p>III. Savage! Vanished! Appropriated!: Misrepresentations of Native …

    bridgewater Repository record for Marked Superheroes and Villains: 21st Century Embodied Rhetorics of (Dis)Abilities and (Hyper)Masculinity (opens in a new tab)

  15. Militarism, Security, and War: The Politics of Contemporary Hollywood Superheroes

    … the early 21st century, the fictional Hollywood superhero, and asks what it does for us to take seriously that which is often deemed frivolous entertainment. Understanding the superhero as a political entity in and of itself, this project reveals the mutually constitutive relationship between its …

    york Repository record for Militarism, Security, and War: The Politics of Contemporary Hollywood Superheroes (opens in a new tab)

  16. Chasing Captain Canada: National Identity Challenged Through Superheroes In Canadian Comic Books

    … the connections between nationalism and the superheroic effigy in domestically produced Canadian superhero comics, with an eye on how Indigenous superhero comics published within Canada may enrich or complicate this landscape. Domestically produced comics and/or graphic novels are defined in …

    sask Repository record for Chasing Captain Canada: National Identity Challenged Through Superheroes In Canadian Comic Books (opens in a new tab)

  17. Reading "The uncanny X-Men" : gender, race, and the mutant metaphor in a popular narrative

    The first superhero comic book was published in 1938 and since that time the genre has become a staple of American popular culture. While superhero stories have been adapted into every popular storytelling medium, the genre is most closely associated with the comic book industry. This dissertation …

    msu Repository record for Reading "The uncanny X-Men" : gender, race, and the mutant metaphor in a popular narrative (opens in a new tab)

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