Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
Results
Showing 1 to 20 of 44 for “"Stravinsky"”.
-
Musical Forces in the Serial Music of Igor Stravinsky
… music.</p> <p>Analysis of three brief serial Stravinsky compositions shows evidence these forces do exist in serial contexts. Gravity is determined by the combination of the duration of a pitch, the pitch’s position in the row (specifically initial and final position), and duplications of that …
-
Serial Techniques in the Recent Music of Igor Stravinsky. 'Concerto for Chamber Orchestra,' (1960-1961)
Made available in DSpace on 2014-12-05T21:10:38Z (GMT). No. of bitstreams: 1 6104399.pdf: 11613784 bytes, checksum: 887a5c17693fe7a62db3a0f8e48a294f (MD5) Previous issue date: 1961
-
STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT
This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin …
-
Conducting L'Histoire du Soldat : a tale of two libretti
Igor Stravinsky’s collaborations with contemporaries including Picasso, Nijinsky, and Cocteau are well documented. Less familiar, however, are the anachronistic “collaborations” suggested in one short movement Stravinsky wrote in 1918, and involving the Germans Luther and Bach, the Swiss Ramuz, the …
-
The Nightingale's Flight from Opera to Symphonic Poem: A Comparative Study of The Nightingale and The Song of the Nightingale by Igor Stravinsky
An analysis of the transformation from Stravinsky's opera The Nightingale to The Song of the Nightingale, a symphonic poem by the same composer. The text includes a brief history of Stravinsky's life and the genesis of The Nightingale and The Song of the Nightingale. The bulk of the dissertation …
-
A Historical and Analytical Examination of the Stravinsky Octet for Wind Instruments, with a Guide to Performance Preparation of the Two Trumpet Parts
… a vents (or Octet), written in 1922-1923 by Igor Stravinsky, is a piece in three movements for a curious assortment of instruments: two trumpets, two trombones, flute, clarinet and two bassoons. It is one of four influential chamber works for winds by Stravinsky to include trumpet. Of these …
-
Tom Stirzaker's Ph.D. Recital
… in the first Ph.D. recital: W. A. Mozart; Igor Stravinsky; Gioacchino Rossini
-
Doctoral thesis recital (conducting) chamber
Octet for winds / Igor Stravinsky -- Garden of words / Piyawat Louilarpprasert (world premiere) -- Fanfares liturgiques / Henri Tomasi.
-
The piano sonatas by Harold Shapero: a stylistic synthesis
… composer who is recognized as a member of the “Stravinsky School,” particularly for his emulation of Stravinsky’s Neoclassical style. Within its consideration of Neoclassical elements in Shapero’s work, this project looks at Shapero’s synthesis of elements and features from the eighteenth, …
-
A Study of Selected Chorale-Based Organ Works of Siegfried Reda
… developments of composers such as Hindemith, Stravinsky, Schonberg, Berg, and Webern. As a culmination of his stylistic development, Reda applied serial techniques to the composition of chorale-based music.
-
The Choral Music of Paul Patterson (Great Britain)
… composers at Ligeti, Penderechi, Bernstein and Stravinsky. The author discusses the Kyrie, Gloria, Requiem, Spare Parts, Time Piece, Canterbury Psalms and Voices of Sleep through an analysis of motive, harmony, orchestration and determinate and indeterminate elements among others. The …
-
Prayers of Adoration, Confession, Thanksgiving and Supplication: A Composition for Soprano and Chamber Ensemble
… considerations are contrasted to those of Igor Stravinsky and Steve Reich, with special emphasis on the use of musical structures, motives, and text-painting to highlight the meaning of religious texts.
-
The Whole as a Result of Its Parts: Assembly in Aaron Copland's Score for The Red Pony
… reflects the acknowledged influence of Igor Stravinsky, the needs of the film medium, and the plot of The Red Pony specifically. Despite Copland's modern style characteristics, the music functions much like a conventional Hollywood film score.
Page 1 of 3