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Showing 1 to 3 of 3 for “"Soviet cinema"”.

  1. National Identities in the Context of the USSR's Westward Expansion: Visions of Poles and Ukrainians in Soviet Cinema, 1925-1941

    This thesis examines Soviet cinematic depictions of Poles and Ukrainians leading up to and following the USSR’s annexation of eastern Poland in 1939. It is a history of Soviet cultural practitioners’ fears and aspirations towards, and projections onto, the territories of modern-day western Ukraine, …

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  2. Disrupting Monocultural Tendencies through Multimodal Montage

    … montage from its early 20th-century origins in Soviet cinema to its contemporary forms, the thesis outlines the transition from montage defined by collision and conflict to the soft, spatial, and interactive practices of figures such as Nam June Paik and Harun Farocki. It further investigates …

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  3. Technologies of gender: Soviet literature and film in the 1920s and 1930s

    My dissertation, “Technologies of Gender: Soviet Literature and Film in the 1920s and 1930s,” examines the vital role technology and machines – both actual and imagined – play in defining the ‘new Soviet man’ and ‘new Soviet woman’ in early Soviet culture. As I argue in my dissertation, the period …

    uiuc Repository record for Technologies of gender: Soviet literature and film in the 1920s and 1930s (opens in a new tab)