Global ETD Search
Search theses and dissertations gathered from participating repositories worldwide. Every result links back to the library that holds it. No account is needed.
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Showing 1 to 11 of 11 for “"Shakespearean Drama"”.
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The Use of Disguise in Shakespearean Drama
No abstract prepared.
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Exploring Shakespearean Influence On Executive Leadership In Finance: A Qualitative Narrative Inquiry
… It employed a conceptual framework in dramaturgical analyses (Goffman, 1959) and a theoretical framework in reflective leadership (Schon, 1983). Separate semi-structured interviews were conducted with five participants to gather data, which was coded in vivo. Codes were then analyzed …
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Consuming Mutilation : Affectivity and Corporeal Transgression on Stage and Screen.
… finds the seed for spectatorial affect in the dramatic tradition and its corporeal instantaneity. It thus also offers a brief genealogy of affective mutilation as it is evolves in Greek tragedy, Shakespearean drama, the Gothic stage, the theatre of the grand guignol and Artaud's theatre of …
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Shakespeare on South African television
… Analysis of their approach to the production of Shakespearean drama in South Africa combined with (semiotic) analysis of the message of production leads to an interpretation of the ideological reference of these productions. I conclude that the eight television productions of Shakespeare …
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Early modern melancholia and present day depression : a comparative study of the female experience in dramatic and medical sources
… today. Working with proto-medical treatises and Shakespearean drama from the early modern period (1580-1665), alongside contemporary diagnostic frameworks and psychosocial research (1960-2017), it investigates how female melancholics and depressed women speak to each other across the historical …
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Aspects of jealousy as treated by Shakespeare.
… matter of fact, by virtue of his being a master dramatist, we expected the usage of such a theme and were not disappointed. He did protray jealousy and his superb treatment of the idea proved to us that his conceptions of the emotion were similar to those of other authors who were his …
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Shakespearean Polyphony. An exploration of female voices in seven selected plays using a dialogical framework.
… though there is no biological female body of the Shakespearean stage, there is a female voice. Dialogism, of course, derives from the work of the Russian theorist Mikhail Bakhtin. These 'voices' are analysed in the context of a theoretical framework informed by his writings on the novel, which are …
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The humanization of Falstaff: audience experience and response in <i>Henry IV</i>
… of the audience to a dominant character in a Shakespearean drama which is text as well as playscript. It is less a total reading of <em>Henry IV</em> than an interpretation of Falstaff’s progress through it, particularly when that progress is interwoven—as it so frequently is—with Prince Hal’s …
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Shakespeare’s Cosmology on the Supernatural: All Is Illusion
<p>This dissertation examines how Shakespeare approached elements of the supernatural – ghosts, madness, and witchcraft – in his plays. The aftermath of the England’s break from the Catholic Church led to societal upheaval in the way early modern England viewed the supernatural. Prior to this …