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Showing 1 to 4 of 4 for “"Settore PEMM-01/B - Cinema, fotografia, radio, televisione e media digitali"”.

  1. LA SUPERFICIE DI MEZZO. L¿ECOSISTEMA DELLE INTERFACCE DIGITALI: UNA TASSONOMIA CRITICA

    … to the concept of interface through philosophy, media archaeology and disability and critical studies to structure a critical taxonomy of the computer interface. The grand set computer interfaces constitute has been divided in three main ontological classes, each associated with a strong norm …

    milano Repository record for LA SUPERFICIE DI MEZZO. L¿ECOSISTEMA DELLE INTERFACCE DIGITALI: UNA TASSONOMIA CRITICA (opens in a new tab)

  2. IL CINEMA DI PIER PAOLO PASOLINI SECONDO LO STATO. CENSURA, MAGISTRATURA E PARLAMENTO

    … State institutions towards Pier Paolo Pasolini's cinema. The perspective of the institutional history of cinema was taken, in consideration of how cinema is part of an industrial context which has effective repercussions on the ways in which the State enters into relations with it. The three areas …

    milano Repository record for IL CINEMA DI PIER PAOLO PASOLINI SECONDO LO STATO. CENSURA, MAGISTRATURA E PARLAMENTO (opens in a new tab)

  3. IL GROOVE COME 'TECNOLOGIA' E LE TECNOLOGIE DEL GROOVE

    Groove is one of the most important features in many styles of popular music and an aesthetic goal for musicians and producers. I begin by formulating a model of groove as a Gestalt, describing the constituent syntactic components and the ways in which they coalesce. Next, I will examine theories …

    milano Repository record for IL GROOVE COME 'TECNOLOGIA' E LE TECNOLOGIE DEL GROOVE (opens in a new tab)